Roy Campbell
1,562 words
Roy Campbell was a South African poet and essayist. T. S. Eliot, Dylan Thomas, and Edith Sitwell praised Campbell as one of the best poets of the inter-war period. Unfortunately, his conservatism, Nietzscheanism, and Catholicism, as well as his open contempt for the Bloomsbury set and his participation in the Spanish Civil War on the Fascist side, have led his works being consigned to the memory hole. (more…)
Marina Hydeová, levičácký narcista
1,780 slov
English original here
Zatímco si pohledný řecký mladík Narkissos (Narcissus) zálibně prohlížel svůj vlastní odraz na hladině lesní tůňky, nabízel by skvělý terč pro černošskou „vybíjenou“ (Knock-Out game). Nějaký utlačovaný snědý mladík by k němu snadno mohl připlížit a názorně ukázat sílu spravedlivostí sevřené černé pěsti. (more…)
1,150 words
As I watched the looting and burning and robbing and shooting and destroying and absolutely insane swarming-ant mob violence in South Africa over the past few days, I felt slightly better about living in America.
Slightly. (more…)
Caravaggio, Narcissus, 1594-96.
1,993 words
Czech version here
As the handsome Greek youth Narcissus gazed into his forest pool, adoring his own reflection, he would have made a perfect target for the Knock-Out Game. An oppressed black could easily have crept up behind him and demonstrated the power of the righteous black fist. (more…)
Roy Campbell
1,562 words
Roy Campbell was a South African poet and essayist. T. S. Eliot, Dylan Thomas, and Edith Sitwell praised Campbell as one of the best poets of the inter-war period. Unfortunately, his conservatism, Nietzscheanism, and Catholicism, as well as his open contempt for the Bloomsbury set and his participation in the Spanish Civil War on the Fascist side, have led his works being consigned to the memory hole. (more…)
1,550 words
Africa Addio (Goodbye Africa) (1966), co-directed, co-edited, and co-authored by Gualtiero Jacopetti and Franco Prosperi of Mondo Cane fame, is a must-see red-pill documentary for race-realists. Filmed between 1963 and 1965 in Kenya, Tanganyika, Zanzibar, Rwanda, Angola, the Belgian Congo, and South Africa, Africa Addio chronicles the exit of the British and Belgian colonial powers from Africa, as well as the attempts of the Portuguese and South Africa whites to hold on. (more…)
2,054 words 
I’m gonna rise up,
I’m gonna kick a little ass,
Gonna kick some ass in the USA,
Gonna climb a mountain,
Gonna sew a flag,
Gonna fly on an eagle
I’m gonna kick some butt,
I’m gonna drive a big truck,
I’m gonna rule this world,
(more…)
1,341 words
“We come from different backgrounds, different races, and we came together with one goal . . . I really hope that we’ve done that for South Africa . . . We can achieve anything if we pull together as one.”
Roy Campbell
1,561 words
Roy Campbell was a South African poet and essayist. T. S. Eliot, Dylan Thomas, and Edith Sitwell praised Campbell as one of the best poets of the inter-war period. Unfortunately, his conservatism, Nietzscheanism, and Catholicism, as well as his open contempt for the Bloomsbury set and his participation in the Spanish Civil War on the Fascist side, have led his works to be consigned to the memory hole. (more…)
Nelson Mandela meeting with Israeli PM Shimon Peres in Johannesburg in 2002.
4,300 words
During the 1980s, when the offensive against South Africa (SA) was at its height, the Right was focused on the prospect of the Soviet Union taking over the mineral wealth and strategic position of SA. I recall this because I was among those in New Zealand speaking in favor of SA, and using this specter as the main reason for opposing the anti-SA campaigns, albeit among the few who also defended white self-determination. (more…)
Roy Campbell
1,561 words
Roy Campbell was a South African poet and essayist. T. S. Eliot, Dylan Thomas, and Edith Sitwell praised Campbell as one of the best poets of the inter-war period. Unfortunately, his conservatism, Nietzscheanism, and Catholicism, as well as his open contempt for the Bloomsbury set and his participation in the Spanish Civil War on the Fascist side, have led his works to be consigned to the memory hole. (more…)
1,777 words
The most dangerous and remarkable thing about Lauren Southern’s wonderful documentary Farmlands is that it promotes white tribalism. For most people – whites and non-whites alike – this is enough to make the film anathema. They will recognize it for the taboo-breaking film that it is and either stop watching or begin hating Lauren Southern as a racist or white supremacist. Sympathizing with whites as victims just isn’t cool these days, you see. (more…)