Tag Archives: rule of law

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“Black Deeds Must Be Cur’d with Death”:
Justice & Revenge in Renaissance Drama

Promotional image from the UK’s Almeida Theatre production of The Duchess of Malfi (performed from November 30, 2019 through January 25, 2020)

5,736 words

I. Classical Western Thought on Justice and Revenge

One of the most fascinating discussions to emerge from our collective Western inheritance concerns the definition of justice and the double-sided nature of justice or vengeance (personified memorably in pop culture through the literal “two-faced” character of Harvey Dent and his Janus-faced coin). Aristotle (384-322 BC) determined that “justice” had at least two different meanings: Read more …

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Choose Your Own Prison Adventure

From a manuscript of Boethius’ Consolation of Philosophy.

1,638 words

I have never been to prison and I hope I never go to prison. In a perfect world, obeying the laws and refraining from illegal activity would be enough to guarantee a life without imprisonment. Unfortunately, we do not live in a perfect world. We are living in a world where propaganda, intimidation, and violence against white people is being promoted and encouraged. Yet when white people defend themselves, we are the ones who get arrested and sent to prison. For fear of their safety, many white people feel like prisoners Read more …

Posted in North American New Right | Also tagged , , , , , , , , , , , | 12 Responses
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Whose Common Good?

1,503 words

The prevailing conservative legal theory is ripe for a challenge in the nationalist era. Ever since the 1970s, originalism — which mandates a strict interpretation of the Constitution’s original intent — has held sway over the American Right. This mindset has resulted in a deification of the Constitution and the inability to recognize current predicaments as different from the 18th century. Read more …

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Guide to Kulchur, Episode 12
Andrei Tarkovsky’s Stalker

159 words / 1:25:24

In the latest installment of Guide to Kulchur, Fróði Midjord and John Morgan discuss Andrei Tarkovsky’s Russian science fiction classic, Stalker, which is about three men living in an industrial wasteland who venture into a Zone that was left on Earth by mysterious extraterrestrials, a wilderness filled with deadly traps, at the center of which is a room that grants the innermost desires of anyone who enters. The duo discuss the film both as an allegory of a spiritual quest as well as an indictment of modernity. Read more …

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