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Greg Johnson and Endeavour discussed the new James Bond film, No Time to Die, on last weekend’s Counter-Currents Radio broadcast, and it is now available for download and online listening. Other topics include whether Right-wingers should engage with pop culture, and the James Bond franchise more generally. (more…)
Robert Cuccioli as Ben Rumson in Jon Marans’ Paint Your Wagon
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The Western dominated American pop culture until the early 1970s, when it suddenly winked out like an aging athlete. TV was infested with Westerns. Jonathan Winters once complained that though he loved Westerns, he didn’t like “fifteen of them in a row.” It sure seemed that way. (more…)
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Down these mean streets, a man must go who is not himself mean, who is neither tarnished nor afraid. He is the hero, he is everything. He must be a complete man and a common man and yet an unusual man. He must be, to use a rather weathered phrase, a man of honor, by instinct, by inevitability, without thought of it, and certainly without saying it. (more…)
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James J. O’Meara
Passing the Buck: Coleman Francis and Other Cinematic Metaphysicians
Melbourne: Manticore Press, 2021
Imagine going thirty, forty, fifty, or even sixty years of your life without comprehending the dizzying implications of how some movies, typically — and often charitably — understood to be cringingly awful, actually serve as thaumaturgic runes which reveal glimpses of the painful, beautiful Truth behind this swiftly degenerating stage of Kali Yuga. (more…)
Philippe Halsman photographs Salvador Dalí, Decline of hair on the face, 1954.
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It’s the most basic thing in the world. You can look at a rock, think it’s a bear, and run away. Or you can glimpse a bear, assume it’s a rock, and get eaten. Over time, evolution will select for seeing bears, when in fact, ninety-nine times out of a hundred, it’s just rocks. Then clever fools will come and say that believing in a bear infestation is primitive superstition, and that they, taught by “science” and “logic,” have surmised that there are no bears among the rocks. In fact, bears do not even exist. (more…)
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On December 22, 1984, 37-year-old electrical engineer Bernhard Goetz stepped onto the downtown #2 subway train to Lower Manhattan where he intended to meet with some friends for drinks before the Christmas holidays. Goetz is a half-Jew on his mother’s side, but little did he know that by the end of this fateful train ride, he would be a full-fledged honorary Aryan. (more…)
Chet Hanks
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Chet Hanks, Tom Hanks’ aspiring rapper son, declared the upcoming season “white boy summer.”
“I got this feeling that this summer is going to be a white boy summer,” Hanks said in a viral Instagram video. He made sure to define what kind of “vanilla king” he was talking about. “I’m not talking about Trump, NASCAR-type white. (more…)
Phil Eiger Newmann, Dysgenic, 2021.
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The Ritual Denazification of Teen Vogue
Teen Vogue was founded in 2003 and has earned international respect as the go-to source for confused girl teens who want to learn how to have anal sex and worship Karl Marx.
But now the venerable online publication has been rocked by accusations of racism that, amusingly, extend to those who have gleefully accused others at the magazine of racism. (more…)
Phil Eiger Newmann, Stumpy G, 2021.
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After the Atlanta-based one-hit hip-hop wunderkind who goes by the silly name of “Silento” was arrested and charged last week with murdering his cousin, his publicist referred to him as a “beautiful soul.”
To clarify, she wasn’t talking about the murdered cousin. She was talking about his accused killer, 23-year-old Ricky Lamar Hawk, a recording artist specialized in urban mating songs of the primitive call-and-response type. (more…)
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Sympathy For The Devil: The True Story of The Process Church of the Final Judgment
Director: Neil Edwards
Appearing: Malachi McCormick, Timothy Wyllie, and other former members, along with George Clinton, Lucien Greaves, John Waters, Genesis P-Orridge, and others.
1 hour, 46 minutes; 2015
“What about the Process?” I said. “Don’t they have a place here? Maybe a delicatessen or something? With a few tables in the back? (more…)
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Netflix thinks pimping preteens is a great way to market its new movie Cuties. The French film follows a dance troupe of 11-year-old girls who discover their “femininity.” Netflix advertised the film with images of the girls in suggestive outfits, which inevitably drew a public backlash. The streaming giant apologized for the advertisements (more…)
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So, there are blacks with beats, heebs with chutzpah, and Swedes with serenity. What is a white dissident to do in an environment in which the talents of his people are so easily turned into springboards for cultural developments that annoy at best and brainwash at worst? (more…)
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To understand the man you have to know what was happening in the world when he was twenty.
— Napoleon Bonaparte
I grew up in the final years of the Cold War. If you aren’t old enough to remember the Cold War, let me tell you that it was a trip.
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Crystal Castles is a Canadian band, initially consisting of singer Alice Glass and producer Ethan Kath. The two met each other because of their mutual connections in the large and prolific Toronto music scene, and collaborated on one track, the chaotic “Alice Practice,” as a mere experiment. The two never intended to form a full-time group (more…)
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Christopher Caldwell
The Age of Entitlement: America Since the Sixties
New York: Simon & Schuster, 2020
In January, when I first read and reviewed Christopher Caldwell’s The Age of Entitlement, I couldn’t help noticing that the book was being hit by a broadside smear-attack, impressive in its vitriol. (more…)
