Tag: modern art

Marinetti in the First World War.

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Those on the Right who believe that modern art is always “decadent” need to come to grips with Italian Futurism. In commemoration of the birthday of Filippo Marinetti, the founder of Italian Futurism and one of the prophets of Fascism, I would like to draw your attention to several writings on this Website.

1. Marinetti’s own “Futurist Manifesto” of 1909.

2. Kerry Bolton’s essay “Filippo Marinetti,” which has also been published in his book Artists of the Right: Resisting Decadence. (Portuguese translation here.)

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Counter-Currents Book Editor John Morgan joins Fróði Midjord on the new podcast series, Guide to Kulchur, to discuss The Square, a recent Swedish film (available in English) which mocks and critiques the intensely politically-correct culture of modern-day Sweden. The film depicts the director of a modern art museum in Stockholm whose pride in his liberal beliefs is challenged when his wallet and phone are stolen, and he is forced to venture into an immigrant area in order to attempt to retrieve them.

Listen to “Guide to Kulchur (guest: John Morgan) – episode 2, The Square” on Spreaker.

Lionel Lindsay

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Background: Australianity

Nietzsche was a seminal influence on the brothers Norman and Lionel Lindsay, as he was on many other contemporary aesthetes, artists, and literati of the Right, including their fellow Australian, P. R. Stephensen, who was cured of his Communism at Oxford by the Philosopher.[1] When Stephensen returned to Australia, after a publishing venture in Britain, he did so as an avid Australian nationalist, and soon as an “Australian National Socialist,” (more…)

Otto Dix, Self-Portrait with My Son

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Otto Dix was a German artist who is now celebrated as one of the great painters of the twentieth century, probably in no small part because he was put on the National Socialists’ list of degenerate artists, as, to the unthinking postmodern Left, anything the National Socialists hated is automatically considered good. Equally though, the postmodern cultureless cartoon Nazis of today’s corrupted Right consider him a degenerate artist also simply because his artworks were deemed Entartete Kunst by the NSDAP. (more…)

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Part 2 of 2 (Part 1 here)

The Advantage of the Other

In 1683 the troops of the Ottoman Empire marched to the gates of Vienna, in the very heart of Europe. Their intention was clear: sack the city, rape and kill the inhabitants, and use it as a staging base for their expansion into the rest of Christendom. Although the Poles under John III Sobieski saved the day, (more…)

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Part 1 of 2

For the love of money is the root of all evil: which while some coveted after, they have erred from the faith, and pierced themselves through with many sorrows.
–1 Timothy 6:10 (KJV) (more…)

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John David Ebert
Art After Metaphysics
CreateSpace, 2013

Many readers will be familiar with John David Ebert from his excellent podcast (with Darryl D. Cooper), Decline of the West. In an early episode of the show, Ebert called the US presidential election for Trump even before Trump had won the Republican nomination. (more…)

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Austrian arthouse film Egon Schiele: Tod und Mädchen is perhaps most disappointing in that Egon Schiele led a very interesting life, yet the scriptwriter Hilde Berger and director Dieter Berner have succeeded in making it appear rather dull, in the same way as Mike Leigh served up a snore-fest about J. M. W. Turner a couple of years ago. Perhaps the two most interesting aspects of Schiele’s life, his trial for pedophilia and his experiences in the First World War, are completely glossed over (more…)

Charles Krafft in his bunker

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Vig Scholma, Furor Teutonicus

The Road to Alt Right Artistry

Since Hillary Clinton’s mention of the Alternative Right in one of her speeches, there have been countless discussions about what the Alt Right is and represents, with everyone and anyone, no matter how inappropriate, suddenly declaring they are part of the Alt Right. I think it is quite easy to define what the Alt Right is: it is the postmodern manifestation of what Julius Evola termed the True Right.  (more…)

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Last Saturday night in Manhattan, a few good shitlords made art history. At the “Daddy Will Save Us” art show, event organizer Lucian Wintrich stated that this was “the first conservative art show in America.” But there really wasn’t anything typically “conservative” about this event — rather, it was the most radically avant-garde art show possible in The Current Year. If this was conservatism, it was revolutionary conservatism.  (more…)

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Francis Bacon, 1909–1992

Francis Bacon was an extraordinary and extreme artist and one of the greatest painters of the twentieth century. He was also a Right-wing elitist and individualist who approached the problem of creating art in the twentieth century with an honesty and intensity that have not really been matched. Generally speaking, it is probably true to say that most of the Right dismiss Bacon along with other contemporary artists mainly because of his unique treatment of the human form. But in my view his art enunciates a violent assault on the complacency of conventional thinking and perception that should be seen as deeply consonant with the project of the Alt Right. (more…)