55 Days at Peking (1963), Zulu (1964), and The Sand Pebbles (1966) aren’t part of an actual trilogy, and aside from Zulu, the films aren’t necessarily about colonialist projects in the strictest sense. Additionally, the movies are produced, written, and directed by entirely different people. However, they are remarkably similar in some ways, and they all have a pro-white rule vibe.
The 1960s were a radical, change-filled decade. (more…)