Ron McVan is an American white nationalist and Wotanist. He has followed a lifelong career in the fine arts as an oil painter, pen & ink illustrator, sculptor, poet, writer, stained glass artisan, jewelry craftsman, and musician. His extended interests have always been wide and varied, ranging foremost in the martial arts, philosophy, the ancient mysteries, mythology, European history and heritage, comparative religions, and spiritual studies, most particularly in Gnostic Wotanism and Druidism. (more…)
Film Inception režiséra Christophera Nolana mě ohromil, a tak jsem se rozhodl dát jeho staršímu počinu Batman začíná (2005) další šanci. Napoprvé se mi nelíbil. Vůbec. Musel jsem však být při sledování něčím rozptýlený, protože napodruhé mi přišel skvělý. Nolan odložil kýčovitý styl předchozích snímků o Batmanovi a soustředí se na vývoj postav a jejich motivace, což film Batman začíná a i jeho pokračování Temný rytíř dělá psychologicky temným a intelektuálně i emocionálně strhujícím. (more…)
Tento krátký text napsal Miguel Serrano 20. dubna 2003, kdy Velikonoční neděle připadla na výročí narození Adolfa Hitlera. Letos se tyto dva svátky opět překrývají. Převzato ze stránek Counter-Currents, do angličtiny přeložil Greg Johnson.
Hitler a Poslední avatár: 114. výročí narození Adolfa Hitlera (more…)
In the denazification atmosphere following World War II Carl Jung, founder of analytical psychology, found himself accused of having ‘Nazi’ sympathies. While Jung was a man of the ‘Right’[1] his essay explaining Hitlerism as an evocation of Wotan as a repressed archetype of the German collective unconscious put him on the long suspect list of intellectuals who were accused of being apologists for National Socialism.[2] He was fortunate to have been in a neutral nation in the aftermath of World War II.
Translated by Greg Johnson; Czech translation here
Translator’s Note:
This short text was written by Miguel Serrano on April 20, 2003, when Easter Sunday and Adolf Hitler’s birthday coincided. I translated it and posted it online under the pen name T.C.L. Since those dates coincide again this year, I thought it opportune to track this little curiosity down on the web and bring it “home.”
Après avoir été bluffé par l’Inception de Christopher Nolan, j’ai décidé de donner à son Batman Begins (2005) une nouvelle chance. La première fois que j’ai vu ce film, je ne l’ai pas aimé. Pas un seul instant. J’ai dû être distrait, car cette fois je l’ai apprécié. Nolan rompt avec le style kitsch des premiers films de Batman, se concentrant sur l’évolution et les motivations du personnage, (more…)
Unless you’re living in Tora Bora, you probably know that Christopher Nolan’s third Batman movie, The Dark Knight Rises, is coming out this week. (more…)
« Lorsque les rites enseignés par les textes traditionnels et lorsque les institutions établies par la loi seront sur le point de disparaître, lorsque le terme de l’âge sombre sera proche, une partie de l’être divin existant par sa propre nature spirituelle selon le caractère du Brahman, qui est le Commencement et la Fin (…) descendra sur la terre (…). (more…)
From the end of the 1930s to the mid-1940s and beyond, I was greatly interested in the personality of the American poet Ezra Pound. I saw a lot of myself reflected in him. Indeed, during the Second World War he was opposed to the government of his country and embraced the cause of Italy and Germany. (more…)
Unfortunately, the deep writer and poet Hermann Hesse was falsified and vulgarized by a world in decline. He needs to be re-read today by the same eyes that were once shaken by his mystery.
The following article appeared in the Chilean newspaper, El Mercurio, on 10 March 2002. Serrano had written about a similar topic some thirty years earlier in an article for La Prensa entitled, “La Transformación de Hermann Hesse” (“The Transformation of Hermann Hesse”), which was translated into English and published under the title “Hermann Hesse in America.”
Ezra Pound died in Venice on 2[1]November 1972, less than five years after our interview. I was in Spain, traversing that hard and ancient land. I had visited Ronda, down South, the city over the abyss, where Rilke once lived for a time. I had been reading Pound’s letters in the small museum that Spaniards have opened in the hotel where he once lived—his love letters to Lou Salomé, also lover and muse to Nietzsche.
This is a translation of the article by Serrano published by the Chilean newspaper El Mercurio in 1961, following Carl Jung’s death.
It’s six in the morning, 8 June. I open the doors to my room in New Delhi—doors which open to a small white terrace, already fulgurating with sunlight. (more…)
C. G. Jung Speaking, by Professor William McGuire, has recently been translated into Spanish and published by Trotta, with the title Encuentros con Jung. Reproduced there is Jung’s account of the time he saw Hitler and Mussolini, together, addressing a mass audience.
Miguel Serrano Maya: Reality is an Illusion
Santiago: Ediciones La Nueva Edad, 2006
Miguel Serrano (1917–2009), a former Chilean diplomat, writer, poet, explorer, mystic, and one of two pioneers of Esoteric Hitlerism,[1] has, until recently, been relatively unknown in the English-speaking world. Despite the fact that a number of his books (nine by my count) have been translated into English for many years, he has had only a small following of dedicated individuals. (more…)
After being blown away by director Christopher Nolan’s Inception, I decided to give his Batman Begins (2005) another chance. The first time I saw this film, I did not like it. Not one bit. I must have been distracted, because this time I loved it. Nolan breaks with the campy style of earlier Batman films, focusing on character development and motivations, which makes Batman Begins and its sequel The Dark Knight both psychologically dark and intellectually and emotionally compelling.
Miguel Serrano El Cordón Dorado: Hitlerismo Esoterico
Bogota, Colombia: Editorial Solar, 2001
As far as I am aware, this is the first published review in English of The Golden Thread: Esoteric Hitlerism, the first volume in Miguel Serrano’s Esoteric Hitlerist trilogy. (more…)
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