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Gattaca (1997) is a dystopian science fiction movie set sometime in the mid-21st century. Mankind is doing a lot of manned space exploration. Genetic engineering and zygote selection have eliminated major and minor genetic problems, from mental illness to baldness. As a smiling black man who works as a eugenics counselor explains to a pair of prospective parents, the children produced by these techniques “are still you, just the best of you.” (more…)
2,207 words
We can’t say we weren’t warned. Around the time of the First World War, when Europe ruled nearly every part of the Earth, Theodore Lothrop Stoddard wrote a series of highly regarded books and articles about the global racial situation that argued European global rule was coming unglued. Stoddard, a Harvard-educated scholar, was also pro-white figure; he was consequently memory-holed by the establishment after World War II and his death in 1950. It’s precisely because of this we need to continue listening to his words.
2,614 slov
English original here
Poznámka autora: Následuje přepis mé řeči, která zazněla na čtvrtém setkání fóra Scandza v Kodani 15. září 2018. Při svém minulém vystoupení na Scandza fóru jsem hovořil o nutnosti vytvořit zvláštní etnonacionalistické poselství pro všechny bělošské skupiny, včetně třeba fandů Star Treku. Následující řádky tedy budiž jakousi epištolou určenou „Trekkies“. Rád bych také poděkoval všem účastníkům i organizátorům fóra Skandza. (na videozáznam řeči se můžete podívat zde)
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We are told that climate change is an existential threat to humanity, and yet unsustainable population growth rarely comes up in the conversation. (more…)
Dr. Edward Dutton
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We know from Spengler that each great civilization goes through a cycle: hard times create strong men, strong men create good times, good times create weak men. On the Dissident Right, our belief is in personal responsibility, in taking ownership for who and what we are. If we accept this intellectually, it gives us a blind spot with regard to biology and just how immutable heritability is, however. Blood trumps culture and policy, even naked power. Heritability is the ultimate red-pill, and in some ways the ultimate black-pill (and then a white-pill).
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David Lynch’s Dune (1984) is a flawed masterpiece. When I first saw it, I was deeply disappointed. Frank Herbert’s original novel made a powerful impression on me. I could see Herbert’s world, and Lynch’s vision was not my vision. But when my initial impression faded and I returned to Lynch’s film with an open mind, I found it immensely imaginative and compelling. Even the score by Toto managed to grow on me. (more…)
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French version here
Author’s Note:
This is the text of my talk at the fourth meeting of the Scandza Forum in Copenhagen, Denmark, on September 15, 2018. In my previous Scandza Forum talk, I argued that we need to craft ethnonationalist messages for all white groups, even Trekkies. This is my Epistle to the Trekkies. I want to thank everybody who was there, and everybody who made the Forum possible. (more…)
Madison Grant
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Czech version here
The early conservation movement in America was closely intertwined with support for scientific racism, eugenics, and restrictions on immigration. Both environmental conservation and eugenics were part and parcel of Progressivism. This article will provide brief biographies of five notable conservationists who were also race realists and eugenicists. Theodore Roosevelt is the most obvious example, but there were several others, including Madison Grant, Henry Fairfield Osborn, Charles M. Goethe, Joseph Le Conte, and David Starr Jordan. (more…)
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Today is the birthday of Madison Grant, American aristocrat and pioneering advocate of white racial preservationism, immigration restriction, eugenics, anti-miscegenation laws, and the conservation of wildlife and wilderness. To learn more about Grant’s life and legacy, see these articles at Counter-Currents: (more…)
John Powell
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The history of American classical music has been shaped by the quest to define the nature of American identity. Lacking the rootedness and history of Europe, we have been forced to mold a new identity as a nation. Likewise American composers have been faced with the task of creating an authentically American sound.
A number of American composers during the nineteenth and early twentieth centuries held the view that American music must necessarily reflect America’s racial and cultural inheritance. (more…)
