I am old enough to remember a time where you could get instant laughs by saying jagshemash. It was a mythical era known as the mid-2000s. Life was simpler and slower, but it was richer than our hyper-digitized era. It was the last quarter of the Bush era; the defining political issue of the day was America’s foreign adventurism and imperialism. (more…)
Tag: comedy
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Chappelle’s Show (2003-2006) is a favorite of many Right-wingers for its politically incorrect humor and, in particular, its irreverent attitude towards race. (It is right up there with Curb Your Enthusiasm in the estimation of many of my friends.) Only thirteen years have passed since the demise of Chappelle’s Show, but the world has changed a lot since then. The pole up the butt of the Left has now expanded to Giant Redwood dimensions. (more…)
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Our goal this year is to raise $100,000 in order to expand our efforts to build a metapolitical vanguard for White Nationalism. So far, we have received 369 donations totaling $53,970.23. We set our goals high because the task we have before us is formidable, but with your help, we will succeed. (more…)
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Chapo Trap House, Felix Biederman, Matt Christman, Brendan James, Will Menaker, & Virgil Texas
The Chapo Guide to Revolution: A Manifesto Against Logic, Facts, and Reason
New York: Touchstone, 2018Point of personal privilege . . .
Chapo Trap House is a stupid name for a podcast. It would be a stupid name for a shitty punk band. (more…)
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Superbad (2007) is not a great teen movie. The constant whining of the Jonah Hill character acts as a drag on the narrative. His selfishness, his braying voice, his chubby face, and his man-boobs test the viewer’s patience. But Superbad was good enough to have an impact in its time, and remains watchable. It has solid secondary characters, a compelling story, and enough social realism to remain of interest.
Now comes Booksmart (2019). (more…)
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This article is the opposite of the article that I originally set out to write, which was about Frank Fay, the Nazi-sympathizing fascist vaudevillian who invented stand-up comedy. I mean, it says right there on Frank Fay’s Wikipedia page that “[i]n January 1946, just months after Nazi Germany had been defeated, a rally of 10,000 white supremacists gathered at Madison Square Garden for a pro-fascist event called ‘The Friends of Frank Fay’.” That sounds like a good topic for a White Nationalist Website, right? “Hey, kids! Did you know that stand-up comedy was invented by a fascist?”
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“You know the kind of guy who does nothing but bad things, and wonders why his life sucks? Well, that was me.” So began the early episodes of My Name is Earl, a comedy series which ran from 2005 to 2009 and followed the life of working-class white man Earl Hickey on his quest to make up for all of his past sins. This series from writer and director Greg Garcia combined genuinely funny and creative writing with an unfortunate proto-SJW mindset which elevated “victim” groups and denigrated white people in a way that is increasingly prevalent in popular entertainment today.
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Monty Python’s Flying Circus sent a shockwave through 1960s England as its anarchic and surrealist comedy completely overturned televisual orthodoxy. The show was the result of a collaboration between a group of supremely talented, middle-class Englishmen (and one American) who, whilst challenging the norms of mainstream comedy, still kept the irony and biting satire that have always been the staple of English comedy at its core.
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Metapolitics – the technique of altering our culture, to prepare the way for political change – is the primary strategy of the White Nationalist movement. It’s what most smart cookies promote to get us out of this godawful mess. But to change the culture, we must become part of it.
As we are not, currently, part of the establishment’s culture, the tendency of the Right is to view existing popular culture from an “identitarian” perspective. But is this justified? (more…)
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For those of us on the Right who are conspiracy-minded, the Trump administration has been the gift that keeps on giving. Of course, the political conspiracies are fun to read about: Pizzagate, the Deep State, Russian collusion, the Steele dossier, illegal wiretapping, fake news. There’s no end to it. These are all elements of 2010s political ephemera which at first glance seem about as meaningful as hanging chads and swift boats were in the previous decade. But with President Trump being such a wildcard, who knows? Maybe there is something to these modern conspiracies. (more…)
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Other than with the campy television program from the 1960s, you’re probably not going to equate Batman very often with comedy.
Of course, there is ample room for dark humor in Batman stories. The Killing Joke by Alan Moore is great example. But this is not the same thing as comedy, in which the universe itself is funny. (more…)
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January 28, 2016 James J. O'Meara
This Ain’t Funny–This is Genocide!
The Rise & Fall of the National LampoonDrunk, Stoned, Brilliant, Dead: The Story of the National Lampoon
Director: Douglas Tirola
Writers: Mark Monroe, Douglas Tirola[1]
Featuring: Judd Apatow, Kevin Bacon, Anne Beats, John Belushi, Richard Belzer, Chevy Chase, Beverly D’Angelo, John Goodman, Christopher Guest, Al Jean, Peter Kleinman, John Landis, Tim Matheson, Chris Miller, Bill Murray, Brian Doyle-Murray, (more…)