Tag Archives: Christian Bale

1,080 words

English original here

Film Inception režiséra Christophera Nolana mě ohromil, a tak jsem se rozhodl dát jeho staršímu počinu Batman začíná (2005) další šanci. Napoprvé se mi nelíbil. Vůbec. Musel jsem však být při sledování něčím rozptýlený, protože napodruhé mi přišel skvělý. Nolan odložil kýčovitý styl předchozích snímků o Batmanovi a soustředí se na vývoj postav a jejich motivace, což film Batman začíná a i jeho pokračování Temný rytíř dělá psychologicky temným a intelektuálně i emocionálně strhujícím. Read more …

Published: May 19, 2016 | Posted in North American New Right | Also tagged Batman Begins, Christopher Nolan, cyclical history, Guillermo del Toro, Hellboy, Hellboy II, in Czech, in translation, Julius Evola, Miguel Serrano, movie reviews, North American New Right, Rene Guénon, reprints, Savitri Devi, superheroes, Traditionalism, Trevor Lynch | Leave a comment

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Temný rytíř

Trevor Lynch

3,028 words

English original here

Ve své recenzi Nolanova Batman začíná (Batman Begins, 2005) jsem napsal, že film dosahuje dramatického konfliktu navýšením sázek až do krajnosti: zničení moderního světa (ztělesněného Gotham City) tradicionalistickou Ligou stínů vs. jeho zachování a „progresivní“ vylepšení, o něž usiluje Batman.

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Batman Begins

Trevor Lynch

1,359 mots

English original here

Après avoir été bluffé par l’Inception de Christopher Nolan, j’ai décidé de donner à son Batman Begins (2005) une nouvelle chance. La première fois que j’ai vu ce film, je ne l’ai pas aimé. Pas un seul instant. J’ai dû être distrait, car cette fois je l’ai apprécié. Nolan rompt avec le style kitsch des premiers films de Batman, se concentrant sur l’évolution et les motivations du personnage, Read more …

Published: April 30, 2013 | Posted in North American New Right | Also tagged Batman Begins, Christopher Nolan, cyclical history, Dark Knight Trilogy, Guillermo del Toro, Hellboy, Hellboy II, in French, in translation, Julius Evola, Miguel Serrano, movie reviews, North American New Right, originals, Rene Guénon, Savitri Devi, superheroes, Traditionalism, Trevor Lynch | Comments closed

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The Dark Knight

Trevor Lynch

3,987 mots

English original here

Dans ma critique du Batman Begins de Christopher Nolan, j’ai affirmé que le film génère un conflit spectaculaire autour des enjeux les plus élevés qui soient : la destruction du monde moderne (symbolisé par Gotham City) par la “Ligue des Ombres” Traditionaliste contre sa préservation et son amélioration “progressive” par Batman.

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The Ponderous Weight of the Dark Knight

James J. O'Meara

Arnold Schwarzenegger as Mr. Freeze in the Fourth Age of the last Batman cycle

2,792 words

Reviewers of the new Batman movie on various alt-Right sites have been reasonably led to ask why comic books — excuse me, “graphic novels” — have come to dominate Hollywood. Since both industries were founded by and are dominated by You Know Who, the answer seems easy — ethnic networking — why pay royalties to the goyim?

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The Order in Action
The Dark Knight Rises

Gregory Hood

3,374 words

MAJOR SPOILERS BELOW. DO NOT READ THIS BEFORE SEEING THE MOVIE.

The Dark Knight Rises is beyond Left and Right, beyond good and evil, beyond any frame of reference that this society can understand. Christopher Nolan’s Batman trilogy closes with a vision of weaponized Traditionalism certain to be misunderstood by movie reviewers and talking heads who think in terms of Republicans versus Democrats. Read more …

Published: July 22, 2012 | Posted in North American New Right | Also tagged Batman, Batman movie review, Christopher Nolan, cyclical history, Dark Knight Trilogy, graphic novels and comics, Gregory Hood, movie reviews, North American New Right, originals, superheroes, The Dark Knight Rises, The Dark Knight Rises review, the League of Shadows, Traditionalism | 27 Responses

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Christopher Nolan’s Batman Movies:
Weaponizing Traditionalism, Transvaluing Values

Trevor Lynch

Christopher Nolan

4,936 words

Editor’s Note:

Unless you’re living in Tora Bora, you probably know that Christopher Nolan’s third Batman movie, The Dark Knight Rises, is coming out this week. Read more …

Published: July 16, 2012 | Posted in North American New Right | Also tagged artistocracy, Batman, Batman Begins, Batman movie review, Christopher Nolan, cyclical history, Dark Knight Trilogy, death, egalitarianism, ethics, Friedrich Nietzsche, Guillermo del Toro, Heath Ledger, Hellboy, Hellboy II, humanism, Julius Evola, Martin Heidegger, Miguel Serrano, modernity, morality, movie reviews, North American New Right, originals, Rene Guénon, Savitri Devi, superheroes, The Dark Knight, The Dark Knight Rises, The Dark Knight Rises review, the Joker, the League of Shadows, Traditionalism, Trevor Lynch | 22 Responses

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The Dark Knight

Trevor Lynch

3,650 words

Translations: Czech, French

In my review of Christoper Nolan’s Batman Begins, I argued that the movie generates a dramatic conflict around the highest of stakes: the destruction of the modern world (epitomized by Gotham City) by the Traditionalist “League of Shadows” versus its preservation and “progressive” improvement by Batman.

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Batman Begins

Trevor Lynch

1,222 words

French translation here

After being blown away by director Christopher Nolan’s Inception, I decided to give his Batman Begins (2005) another chance. The first time I saw this film, I did not like it. Not one bit. I must have been distracted, because this time I loved it. Nolan breaks with the campy style of earlier Batman films, focusing on character development and motivations, which makes Batman Begins and its sequel The Dark Knight both psychologically dark and intellectually and emotionally compelling.