1,418 words
Charles Manson was a scapegoat for the sixties counter-culture and he became a false Messiah for the seventies, eighties, nineties, and naughties counter-cultures. His real meaning can only be discerned by understanding these two equally imaginary poles of social function that he was compelled to occupy during his decades of imprisonment. The fact that Manson himself was keenly aware of this process of projection and that he actively sought to manipulate it does not attest to evidence of demonic powers but neither does it attest to the machinations of a victimized magus. Read more …
Once Upon a Time in London, Nassau, New Orleans, & Elsewhere: Making the World Safe for Satan & Veggie Burgers
Sympathy For The Devil: The True Story of The Process Church of the Final Judgment
Director: Neil Edwards
Appearing: Malachi McCormick, Timothy Wyllie, and other former members, along with George Clinton, Lucien Greaves, John Waters, Genesis P-Orridge, and others.
1 hour, 46 minutes; 2015
“What about the Process?” I said. “Don’t they have a place here? Maybe a delicatessen or something? With a few tables in the back? Read more …