So, then. The first month of 2023 has passed, and Britannia’s New Year’s resolution is clearly to become even more nuts than she was last year. On the crazy scale, she is moving from being mad as a wet hen to being mad as Tucker Carlson’s laugh. We’ll start on the streets of London . . . (more…)
Tag: Charles Dickens
A National Benefit:
Charles Dickens’ A Christmas Carol
Who can listen to objections regarding such a book as [A Christmas Carol]? It seems to me a national benefit, and to every man or woman who reads it, a personal kindness. — William Makepeace Thackeray, Fraser’s Magazine, 1844 (more…)
An interesting incident occurred in Sicily recently: A Roman Catholic bishop was accused of telling a group of schoolchildren Santa Claus does not exist. The Church has since apologized for these remarks, explaining to outraged parents that the cleric’s intention was direct children away from the consumerism of contemporary Christmas celebrations and towards veneration of the historic Saint Nicholas. This incident provides an opportunity to reflect on the figure of Santa Claus, how he emerged in Northern European and Anglo-American history, and his role in contemporary Christmas festivities. (more…)
About a week ago a young black employee brought back news from the ghetto (colored folks are now the only reliable and honest sources left when it comes to these sorts of adventures). Earlier that afternoon, “authorities” had placed her high school on lock-down. A student had marched through the front doors with a gun and then began shooting up the place. Only notoriously bad black marksmanship prevented the school from becoming an abattoir. He then turned and fled, hiding somewhere inside the building (supposedly). (more…)
Something in the Water: Epidemics & Enemies in Nineteenth-Century Europe
Prologue: The Styx
The half-light of an autumn evening reflected off the Old River and into the face of the boatman. Over and under each subtle ripple and eddy, his eyes darted here to there so quickly that his gaze seemed fixed. As if he took in the whole broad sweep of the Thames with a hungry look-out. Next to him, and charged with steering the dinghy, stooped a young girl, his daughter. She “watched his face as earnestly as he watched the river. But in the intensity of her look, there was a touch of . . . horror.” (more…)
In which Nicholas R. Jeelvy demonstrates the insidiousness of 19th-century political leftism and its tendency to subvert culture and morality by tugging on the heartstrings of the impressionable and kind.
My own personal journey through Victor Hugo’s epic began at a very young age. (more…)
At the beginning of this year, I wrote an article exposing the Huffington Post’s double standard and anti-white agenda when it comes to racialized casting in film and television series. The Huffington Post’s position reflects that of the mainstream media at large, whereby persons of color being cast in white roles is to be applauded, whereas whites being cast in non-white roles is to be denounced. (more…)
One of my all-time favorite moments in literature just played itself out on the news recently.
During the chaos of the London Bridge jihadist attack on the evening of June 3, 2017, a forty-seven-year-old man named Roy Larner took on three machete-wielding Muslim terrorists with his bare hands and lived to tell about it. (more…)
If you think of the Pre-Raphaelites you will probably be put in mind of flame-haired women in medieval dress or perhaps the depiction of a scene from a biblical or mythological story. The aesthetic appeal of such paintings seems to derive from a pre-modernist craving for something formally beautiful in its own right, without any sense of remove or cynicism. And if you consider that the tail end of the Pre-Raphaelite movement preceded the emergence of Dada by only a few years then it really does seem as though the Brotherhood marked a final statement in the history of Western art. (more…)
Edited by Irmin Vinson
The Jewish Thought Police employ various methods to thrust their self-obsession over alleged misportrayals of Jews across history onto center stage in the study of classic works of English literature.
In his Introduction to a reissue of Charles Dickens’ Oliver Twist, published by Bantam Books in 1981, Jewish author Irving Howe directs the reader’s attention, for nearly four pages, to modern Jewish polemics surrounding Dickens’ Fagin, (more…)