Tag: Australian Artists of the Right

6,512 words

The idea of “Australianity,” the uniqueness of Australia as a nation and new nationality, has its origins both in the pioneer labor movement and in the novelists, poets, and artists who saw vast possibilities in building a new civilization unencumbered by the decay of the Old World. The first saw their “socialism” in terms of a non-doctrinaire “mateship” that could forge a new “race” called Australians: an amalgam of the sundry peoples that had settled Australia from Europe, (more…)

6,247 words

Part 2 of 2 (Part 1)

Homosexuality not conducive to creativity

Norman rejected the faddish view that homosexuality is associated with the creative individual. He regarded homosexuality as “destructive” to the creative impulse, which is based on unisexuality. He stated that the male homosexual is dominated by a split of either all-male or all-female:

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Norman Lindsay

6,784 words

Part 1 of 2 (Part 2 here)

Norman Alfred Williams Lindsay (1879-1969) was the brother of Lionel Lindsay, recently profiled at Counter-Currents. Like his brother, Norman excelled in a variety of artistic media. While Lionel’s primary contribution to art theory and history was a slender but informative volume, Addled Art (1942, 1946), Norman was also a notable author of an impressive number of novels, as well as books on history and aesthetics. (more…)

Lionel Lindsay

5,188 words

Background: Australianity

Nietzsche was a seminal influence on the brothers Norman and Lionel Lindsay, as he was on many other contemporary aesthetes, artists, and literati of the Right, including their fellow Australian, P. R. Stephensen, who was cured of his Communism at Oxford by the Philosopher.[1] When Stephensen returned to Australia, after a publishing venture in Britain, he did so as an avid Australian nationalist, and soon as an “Australian National Socialist,” (more…)