Part 1 of 2
Point of Terror (1973); 88 min. Director: Alex Nicol; Writers: Peter Carpenter (story), Ernest A. Charles (screenplay); Stars: Peter Carpenter, Dyanne Thorne, Lory Hansen. (more…)
Part 1 of 2
Point of Terror (1973); 88 min. Director: Alex Nicol; Writers: Peter Carpenter (story), Ernest A. Charles (screenplay); Stars: Peter Carpenter, Dyanne Thorne, Lory Hansen. (more…)
1. Life and the “Creative Mystery”
Lawrence believes that the chief thing modern science simply cannot explain is life itself. And he regards life as an irreducible, and ultimately inexplicable, primary. (more…)
4,925 words
D. H. Lawrence is best known to the general public as a writer of sexy books. In his own time, his treatment of sex made him notorious and caused him to run afoul of the authorities on a number of occasions. I have no desire to rehearse in detail the well-known history of Lawrence’s troubles with censorship, (more…)
Part 8 of 8
Gelassenheit
We can say that the plot of the Ring is simply this: Western man, in the person of Wotan, finally awakens to the destructiveness of his thumotic nature, and wills his own end. (See my review of Duchesne’s Uniqueness of Western Civilization for a discussion of how Western man is preeminently thumotic man.) (more…)
Part 7 of 8
Siegfried
If Wotan is the main character of the Ring, Siegfried is its hero. However, in dealing with the character of Siegfried we do not depart from our discussion of Wotan at all. This is because Siegfried, like many of the other characters in the Ring, is a kind of hypostatization of an aspect of Wotan himself. (more…)
Part 6 of 8
Das Rheingold
When the events of Das Rheingold begin, the Wotan-Loge relationship is already well-established, and the primeval crimes described earlier are long past. However, the opera begins with yet another crime against nature: Alberich’s theft of the Rhinegold. (more…)
Part 5 of 8
The story of the Ring involves four ages, similar to those taught in Tradition.
The Age of Titans is the period represented by figures somehow more primordial than the gods: Erda, the Norns, and possibly the Rhine daughters. Events in this age are not depicted in the Ring; they are merely referred to (primarily in Götterdämmerung).
Part 4 of 8
Wotan and the Faustian West
As noted in the Introduction to this essay, at the time of the Ring’s conception Wagner was an anarchist revolutionary. Major influences on his thinking included Bakunin, Feuerbach, Hegel, and possibly Marx (though of these only Bakunin was an anarchist). (more…)
In 1878 Nietzsche sent a copy of his book Human, All Too Human to Richard Wagner. At the same time Wagner sent Nietzsche a copy of the verse for his opera Parsifal. Nietzsche was later to write that when received this text, “I felt as if I heard an ominous sound – as if two swords had crossed.”[1] (more…)
Bryan Magee
The Tristan Chord: Wagner and Philosophy
New York: Metropolitan Books, 2000
Bryan Magee’s The Tristan Chord: Wagner and Philosophy (just Wagner and Philosophy in the UK) combines two of my favorite subjects into an informative, stimulating, and highly readable book. Creativity and critical reflection are two very different activities, and excellence in one is seldom accompanied by excellence in the other. (more…)
Edited by Alex Kurtagić
Editor’s Note:
The following is excerpted from Jonathan Bowden’s Skin, a book he wrote in the early 1990s. The text has been lightly edited, mainly for punctuation, spelling, and capitalization.
In Samuel Beckett’s work . . . , which has become emblematic of the modern condition, (more…)
2,811 words
Camille Paglia
Glittering Images: A Journey Through Art from Egypt to Star Wars
New York: Pantheon, 2012
Camille Paglia’s Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (New Haven: Yale University Press, 1990) is the greatest work of art and literary criticism since the days of Matthew Arnold and Walter Pater. It is a work of extraordinary ambition, the most sweeping and synoptic book on Western civilization since Spengler’s Decline of the West. (more…)