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Crisis was an English punk-rock band formed in 1977 in Surrey. Their initial lineup consisted of Insect Robin the Cleaner, Phrazer, and the most famous two who didn’t have absurd nicknames: Douglas Pearce and Tony Wakeford. Crisis was explicitly a Leftist band, appearing at various Rock Against Racism concerts and collaborating with artists and organizers from the Anti-Nazi League. (more…)
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Changes can be considered the very first example of a neofolk band. Formed in 1969 by cousins Robert N. Taylor and Nicholas Tesluk, Changes has its roots in the earliest days of the folk revival and hippie scenes in the United States. (more…)
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Essence! is the most recent batch of material from Douglas Pearce’s Death in June, released on November 30, 2018. Essence! pulls from the earlier output of 90s Death in June, including its eclectic sampling work, noisy elements, and tastefully perverse whip-cracks for its compositions. Pearce brings the Death in June sound into the modern age, however (more…)
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Rumours was recorded by putting five musicians who hated each other inside of the same room for two months. The results were immaculate.
This seems to be contrary to logic, however. Wouldn’t forcing several creative types — people infamous for their egos — who have major beef with each other to work on the same project end in disaster? (more…)
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Sol Invictus, fronted by Tony Wakeford, is one of the “neofolk” scene’s best-known groups, alongside Death in June and Current 93. Sol Invictus emerged following Wakeford’s departure from Death in June — and later departure from controversial Above the Ruins — with a sound that progressively became lighter and more classically-inspired than most of what can be considered “neofolk.” (more…)
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Current 93 is a neofolk group fronted by David Tibet. Its name is derived from Aleister Crowley’s numerological manipulation of the words Thelema and agape, the “93 Current” of the present age.
If that’s not weird enough for you, it gets better! (more…)
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There is a new infectious disease sweeping the planet, and those it doesn’t infect or kill, it locks behind closed doors. Modern man can’t sit still for longer than five seconds, so while we hide from the impacts of a lethal virus, we pass the time by watching movies about the impacts of a lethal virus. Torrenting numbers for Scott Z. Burns’ Steven Soderbergh-directed 2011 thriller Contagion are through the roof, (more…)
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Nine Inch Nails released the albums Ghosts V: Together and Ghosts VI: Locusts simultaneously on March 26th, 2020 with a whopping price tag of free. Trent Reznor, the group’s central creative member, announced the surprise records with a Tweet: “Anyone out there?” (more…)
Throbbing Gristle. From left: Sleazy, Genesis, Cosey, and Chris.
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Visual artist, composer, singer, DJ, and general architect of chaos Genesis P-Orridge passed away on March 14, 2020. The Dissident Right shares a surprising amount of common ground with the counterculture icon — and owes some of its aesthetics and methods to them [1] as well.
Born February 22nd, 1950 in Manchester, Neil Andrew Megson adopted the name Genesis P-Orridge — a woo-ish corruption of the word “porridge” — while living in London. (more…)
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How many times do we have to teach you this lesson, old man?
Morrissey, our favorite gay (postulated) racist (dismissed) vegan (confirmed), released his 13th solo album today, March 20th, 2020. It is called I Am Not a Dog on a Chain, which is a fantastic example of just how kneecapped the self-awareness of the rich and famous can be. (more…)
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Thulêan Mysteries is the 13th album released by infamous Varg Vikernes under his working name Burzum. Mysteries comes after Vikernes previously stated that he was finished recording under the Burzum name. To that effect, Mysteries is a collection of tracks that Vikernes has been working on since his last album that were not intended for release as a cohesive unit. (more…)
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Déjà Vu, Crosby, Stills, Nash, and Young’s first recording as a quartet, was released on this day, March 11th, in 1970. It was greeted with a mixed reception by critics at the time of its release, but has since come to be included in innumerable “best of” lists and is frequently cited as the best work of the group. Taken as a whole, Déjà Vu displays impressive attention to detail and warm, friendly tone, but similarly lacks (more…)