Author: Gregory Hood

1,462 words

Enoch Powell never quite fits, even in some alternate history, as the leader of a British nationalist movement. A faithful soldier of the Empire, a creature of the Establishment, an idiosyncratic scholar of the classics, an unpredictable and careful student of policy, Powell was no right wing radical. He was a conservative to the core, in his own words, “born a Tory . . . a person who regards authority as immanent in institutions. (more…)

1,802 words

Film is a weapon, but not all films are alike. A documentary is like a rapier, capable of small, precisely delivered blows that can be shrugged off unless the target is precisely hit. (more…)

3,419 words

Most modern cinema is essentially the re-enactment of the same story. A protagonist is born into a world containing racism, sexism, anti-Semitism or some combination thereof. (more…)

4,368 words

Christian apologist Ray Comfort brings the most compelling question of our time to a mass audience with his wildly successfully mini-documentary 180 and mini-history, Hitler, God, and the Bible. Comfort’s mini-theology has also been widely endorsed, with many of the leading figures in American evangelism collapsing all over each other (more…)

3,500 words

Spanish translation here

Anthony Swofford wrote in Jarhead that it is impossible to make an antiwar movie. Even a film like Full Metal Jacket, which mocks the United States Marine Corps and its values, has been championed by the very same people it scorns, (more…)

3,003 words

In a place once called “America,” there is no culture — there’s only marketing. Every several months, post-Americans obediently shuffle to the specified location to consume the latest mass product. Pressured by a media campaign as autocratically directed as any celebration of Juche, consumers of all classes will spend their dwindling savings on the officially and unofficially licensed products of the latest corporate constructed entertainment. (more…)

2,352 words

As of this writing, thousands are taking to the streets in Russia to protest what they claim are fraudulent elections “won” by Vladimir Putin’s United Russia. In their lust to overthrow the one powerful white government that is not completely under the rule of the bankers and politically correct bureaucrats that rule the West, reporters from the likes of the New York Times are even willing to overlook and forgive that much of the opposition is coming from the Nationalist Right. (more…)

2,067 words

Popular culture does not matter, and people who read political messages into children’s television programs and movies are guilty of bad faith at best and willful malevolence at worst. Art is independent of politics and has a meaning all its own. (more…)

1,557 words

Thanksgiving is a time to celebrate God, family, and the United States of America. It embodies what is best in the national character, combining respect for history, tradition, and community into a shared experience for the entire country. (more…)

2,435 words

It claims to be a black comedy but Big Fan is a horror movie. There are no supernatural creatures or masked serial killers, though there is violence and torture. The violence comes from the savage beating of the white protagonist by a black athlete. The torture is the characters enduring a vision of American life infinitely darker than American Beauty. There is no redemption, no one learns anything from the experience, and worst (or best) of all, you can’t help but laugh. (more…)

2,104 words

White Nationalists spend a lot of time analyzing the themes in movies and the impact they have on our people. However, we often ignore what lessons non-whites take. Consider the one movie that has had a greater impact on hip-hop culture (which is to say, the dominant culture of this country’s youth and underclass) than any other – Brian De Palma’s 1983 Scarface. (more…)