- Counter-Currents - https://counter-currents.com -

When They Destroy Memorials, We Raise Our Own to the Fallen

[1]3,114 words

It took no time for the Lügenpresse to rile the aggrieved and indoctrinated up into a rampage after the death of George Floyd.

The relentless stream of increasingly hostile anti-European content spewing forth from the mainstream media (MSM) had already primed the thieves and vandals eager to smash stuff up and tear stuff down. All they needed was to hear the Pavlovian bell. Big media smashed that bell hard. And if they didn’t hear it the first time, the relatively insignificant story was on repeat for weeks.

The violence, burning, and looting were all too predictable. In the US, riots by blacks have become so commonplace they’re clock-setting events. In the recent past, they’ve exploded in LA, Oakland, Cincinnati, Baltimore, Ferguson, and pretty much everywhere once BLM-Antifa were given a free pass by liberal elites. In the UK, Brixton, Toxteth, Bradford, and London all heralded what was to come considering BLM-Antifa’s institutional support.

There was nothing new, with one notable exception. This time around, the anarcho-LARPers and resident Africans were intent on vandalizing, if not destroying, memorials erected by European Americans and the Native peoples of the UK.

In the recent past, they’d smashed shopfronts, looted sportswear, pelted the police with projectiles, attacked en masse, and burnt down pubs. The move towards “Eurasure” was a profound development.

Locating the ideological origins of this Eurocidal vandalism requires a trip to early 20th-century Germany.

Cultural Marxism

Cultural Marxism is well known within patriotic circles. It refers to the Frankfurt School, a group of largely Jewish immigrants who arrived in America after their destructive ideas and praxis were discovered and challenged by Continental European nationalists.

The method of the Frankfurt School was the sociocultural degradation of the host civilization they resided in. Critical Theory was their weapon. It was used in the relentless, evolving ideological assault on civilization’s cornerstones: established European identities, the philosophical and mytho-symbolic trajectory of Greece and Rome, traditional Christianity, nationalism, traditions, natural sex roles, the family, and the aesthetics of beauty were key among them.

As the faddish critiques of the Cultural Marxists spread through academia, they distorted the earnest such for truth into an open, vicious attack on European Civilization and its constituent peoples.

The School’s impact on popular culture has been as considerable as it’s been damaging. The Cultural Marxists created and unleashed the golems of political correctness and wokeness. The raw materials for their construction were provided by the elites of The Cabal. [2]

The Cabal, Neoliberalism’s Cooption of Cultural Marxism

Unlike the hard-line communists of yesteryear, the woke mob are unlikely to engage in Soviet or Maoist mass murder in the immediate future. The principal reason? They aren’t being organized by revolutionaries. Rather, their ideas have been co-opted by global capital, who are equally intent on destroying peoples and nations, though in a different manner and for a different reason.

The Cabal and its neoliberal agents aren’t so keen on democide as it would see fewer consumers. That aside, there might be a fierce response if the woke noose is drawn too tightly too soon. A repeat of the early 20th century’s response to communism is The Cabal’s principal fear, though they will hurt, maim and kill when it serves their purposes. There are more than enough dead Arabs and Serbs to prove the point.

This Cabal, a hydra-like overlapping synthesis of global finance, ethnically bound mafioso, Cultural Marxist acolytes, resentful evolutionary errors, neoliberal ideologues, warmongers who’ve never had a fistfight, robber capitalists, borderless billionaires, Aspergic tech nerds who are unable to understand attachments to land and people, Middle Eastern middlemen, aggrieved foreigners, and indoctrinated rich kids, is the deformed, deforming beast, working for the dissolution of Europeans through means brutal and subtle. To realize their goal they must weaken the venerable bonds, organic affiliations, and symbolic ties that provide the strength and flexibility for civilization’s sustainable evolution. 

What better host for The Cabal to parasitically feed off than an amorphous mass of miserable battery humans with no roots? An angst-laden population, paradoxically desperate to belong and equally lost in the anonymity of universalism? The Cabal has every intention of creating an undifferentiated feedlot of anthro-cattle. Beings in such a profound state of ennui and anomie, they willingly attach themselves to any fad created in corporate marketing departments: a football team with a roster that barely lasts a season, the ephemeral obsession with gender dysphorics, the latest momentary genre of electronic music, or the next ironic cartoon which appeals to children and adults.

Intrinsic to The Cabal’s globalizing system is an inbuilt, incrementally accelerating redundancy. The consumables and the cults created around them, these desperately superficial vectors of belonging, appear and disappear with strobe-like frequency, leading to mass disorientation and a more addictive, compulsive desire for the next manufactured series of products to attach themselves to, replete with increasingly insidious meanings.

Their attempts to move towards global, corporate Year Zero, policed by Pink Guards, are all too apparent. Europeans are the first sacrifice to the Cabal’s nihilistic, market fantasy, driven in part by generational ethnic resentment.

Year Zero refers to the attempt by the Cambodian communist, Pol Pot, to wipe out all traces of pre-existing society by killing every perceived threat to equity. Around 25% of the population of Cambodia was murdered during the purges designed to produce this ludicrous, impossible utopia.

Unlike the hard economic dictatorship of the Soviets and Maoists, The Cabal’s version of Year Zero was more conducive to the termite-like incremental destruction of European peoples in the mind before the body.

The methods of The Cabal’s culture warriors may not be as physically deadly as Pol Pot’s rush to Year Zero, though over time, they’re as psychologically and socially damaging.

The Ubiquity of Information Operations

At an essential level, all media content should be considered part of an information operation. This goes for their content, nationalist content, and the content of everyone else looking to influence the trajectory of history.

As far as info ops go, The Cabal’s got the big guns, the communicative equivalent of nukes. They control the information battlefield, while the podcasts, streams, and anti-fragile nationalist content is insurgent media.

If there is a comparison between real-world insurgencies and patriotic media the situation seems hopeful. The Cabal-controlled Regime has done poorly in their post-World War Two attempts at occupation and control. Vietnam, Somalia, Afghanistan, and Iraq have been losses. Iran, Russia, and other counter-Regime, Counter-Cabal forces have performed well in the Syrian conflict.

To take it back to the information context, nationalists operating on their home territory have the implicit — occasionally explicit — support of an increasing number of locals. Polls show nationalist ideas growing over time. Elite overreach is creating an information environment conducive to awakening, in part or full.

Overreach is their weakness. When they push it too far, their camouflage, their deceptions, their liberal gilding, are seen for the lies that they are, and the generational venom and Eurocidal intent is stark. Increasing numbers of Europeans can discern the difference between Lügenpresse deceits around diversity and inclusion, and the grim realities brought on by the Euro-hating Cabal’s Great Replacement. It’s why their attempts to suppress the truth are increasingly fevered.

Manufactured Pop Cultures, Coordinated Spontaneity

The Cabal takes and has taken many forms, though has most successfully flourished under liberal capitalism. To observe the situation in post-Soviet countries like Hungary and Poland and compare them to the US, France, and Sweden is telling.

The deep seeds for the culture wars lay in the primal, seminal ideo-symbolic conflict over whether Greco-Roman or Jewish ideas were central to European Civilization. 

The US in the 1960s is a pertinent place to start. The WASP elites were too comfortable, too lost in the libertarian delusions of American political culture. They were unprepared and unwilling to defend themselves from the utter ruthlessness of The Cabal. Those who wanted to maintain their significance were absorbed. The defiant were forced into obscurity and relative poverty due to loss of employment, social shaming, and lawfare.

The Cabal created the false perception that Reaganism and Thatcherism were antithetical to the Soviets. The deep reality was the free marketers were merely the other side of the coin to the Communist bloc, a contest between Jewish materialists, Marx versus Friedman. Western and Eastern Europe were both traveling to the same genocidal anti-national, anti-human destination, just taking different routes. 

Political correctness — and the marginally more flamboyant, though more apparently manufactured wokeness — are syntheses of the Frankfurt School and neoliberalism. It’s the wealthiest players in the World adopting the concepts of insidious manipulators to their global agenda. Though those behind the culture war consider and play on salient real issues, and accentuate and create others, the propaganda program is created, planned, and rolled out by The Cabal. 

The Neoliberal Media Complex — NMC — consists of Hollywood, the BBC, Netflix, and the other big media players. They have been making content focused on the uniquely evil nature of Europeans for decades now, and it’s getting more blatant, more shrill, and more exaggerated. Behind every one of these propaganda pieces are layers of funding and administration. The entertainment media build-up to the BLM-Antifa riots was just as crucial in their manifestation as the 24/7 media coverage of George Floyd’s death. The NMC is directly responsible for creating the precursive public mood leading into the program of statue removal as a form of Eurasure.

Leading the Target — The Cabal’s Information Operations 

There are four principal mediated aspects of Eurocide: 

  1. Vilification & demonization
  2. The glorification of foreigners in European media
  3. Replacing European historical and mythic figures with foreigners
  4. Eurasure, the complete disappearance of Europeans from culture
[3]

You can buy It’s Okay to Be White: The Best of Greg Johnson here. [4]

The relationship between the real world and media Erasure is interdependent, deliberate, and teleological.

Under the influence of The Cabal, the NMC has produced decades of content vilifying Europeans since the 60s. In the recent past, The Watchmen series featured a race war against impoverished European Americans portrayed as some kind of demi-Klan, the BBC produced the Black Power fantasy Noughts + Crosses, a plethora of blood laden films about slavery in the South, the swathe of content featuring barely sentient hillbillies, and the all-too-numerous European villains, often German, Russian, or generic Eastern Europeans. 

The news media follows the same path, focusing on the rare case of white criminal coupled with black victim while failing to mention the vast over-representation of black violence, hushing up the Pakistani rape gangs, or the Israel Lobby’s machinations. The overarching theme of the NMC? “European people bad, everyone else good.”

It’s impossible to miss the glamour and glorification offered to non-Europeans. This runs through entertainment and pop music-related media. There’s a huge focus on African styles and aesthetics; the trashier and the more violent the better. The BBC’s bizarre adulation of “Stormzy” is a scaled-down version of MTV’s relentless racial hostility to Europeans.

Advertising, dominated by the same anti-European clique, features relentless images of African men and European females. In the real world, interracial couples are a few percent of relationships. Marketing departments attempt to normalize and glamorize miscegenation as desirable and common. This is an influence operation at its most fundamental.

The Black Lancelot, the Indian Copperfield, the African Heimdall, and the rest are the deliberate and scornful universalization of specifically European historical and mythic figures as if the deliberate fantasies of the woke will presciently lead to the Eurocide they so deeply desire. 

The last phase of the NMC’s information operations is “Eurasure.” That is the disappearance of Indigenous and European Settler populations from their own stories.

At the popular level, a number of Hollywood series have been made with the European cast removed. Steel Magnolias was remade with an entirely African cast, as was The Wonder Years. Theatres have made a stream of Macbeth and other plays with foreign casts over time.

The mediated lead up to The Great Replacement has been ongoing for decades. It was, is, and has always been an extended information operation. It’s why The Cabal fought so viciously to control media and academia.

From All African Casts to Tearing Down Statues

BLM-Antifa are the footsoldiers of neoliberalism. They offer big capital no threat. They can work at Silicon Valley, Harvard, or Oxford, making six or seven-figure salaries during the week while chatting about what they destroyed during the weekend’s riot with no fear their colleagues or billionaire employer will turn against them, as they are in perfect alignment with The Cabal’s end game.

The BLM-Antifa programmed vandals had a passing knowledge of the statues they were knocking down. Maybe there was a merchant who’d been involved in slavery, maybe there was a Confederate officer who’d charged into Union lines, maybe a politician who joined a war responsible for the demographic depletion of Europe. The underlying reason for their destruction, however, is a primed, primal hatred of the heritage of history’s greatest civilization.

Embedded Aesthetic Resistance

The NMC ignores crimes against Europeans unless they are impossible to ignore, at which point they offer platitudes that the event is memory-holed as quickly as possible.

Therefore, it is the mission of nationalists to let fellow Europeans know many still care for and love their civilization and the peoples who comprise it.

Only those with the deadest of hearts are unmoved by the stories of the Europeans who’ve suffered at the hands of vicious foreigners: the acts of terrorism, the rape gangs, the robber capitalists, the outsourcing and offshoring of jobs, the ethnic lobbies, and the rest of the grifters, thieves, and vandals. 

Generic memorials usually feature rich merchants, politicians who were often enough garbage, and generals who sent streams of young men to certain death in wars that were not their own. It’s time to create new martyrs who symbolize what’s been lost, what’s been gained, and why it’s worth fighting for.

Memorials don’t need to be statues as such. They can be murals or simple, tasteful graffiti on walls. They might remember the young English girl who was abused, then murdered, and possibly minced and fed to those eating at the Pakistani kebab shop — “Charlene Downs, RIP” — or to the dead working-class whites killed by Jewish big pharma — “To the 100,000s of European Americans who were murdered by the Sackler family’s drugs.”

Memorials help nationalism in a number of ways: 

  1. They honor the fallen and heroes in a profoundly hostile environment 
  2. They offer evidence Europeans still have a sense of group identity and remember their own 
  3. They provoke curiosity in passers-by who may later investigate who Charlene Downs was, or the Jewish Sackler family’s drug empire
  4. They mark territory as a European friendly area
  5. Well-considered memorials may create a response from The Cabal, and if they are defaced or contested lead to a mask drop — “what sort of people would deface a memorial to an abused girl or soldiers with PTSD who died from drug addiction?”
  6. They provide a useful outlet for the increasing number of creative people to join the working-class nationalist cause
  7. They provide political gravity, and local credibility, defining nationalists as the serious alternative to the increasingly despised Cabal

Here’s a starter’s list of the European fallen that may assist in discerning those due a memorial.

The United Kingdom

The United States

. . . there’s so many more, though this indicates the sort of people worthy of remembering.

Make no mistake, Europeans live in a hostile environment occupied by The Cabal and its agents. Do not expect fairness or consideration. Their end goal is your eradication, and the eradication of the people like you. 

The Great Replacement bears down on European Civilization, a many-headed Golem, with mindless, well-funded minions under its command. It’s created and controlled by the masters of manipulation, deceit, and obfuscation. It’s driven by profound, enduring ethnic resentment.

Every act of remembering our people, the martyrs, and the heroes, is heroic in itself.

If our memories disappear so does Civilization itself. 

So many are coming to their senses. It’s the job of nationalists to fully rouse them from their slumber. A simple statue, a mural, or graffiti might be the difference between an awakening or genocidal sleep.

*  *  *

On Monday, April 12th, Counter-Currents will be extending special privileges to those who donate $120 or more per year.

As an incentive to act now, everyone who joins the paywall between now and Monday, April 12th will receive a free paperback copy of Greg Johnson’s next book, The Year America Died.

To get full access to all content behind the paywall, sign up here: