Remembering Yukio Mishima
(January 14, 1925–November 25, 1970)

798 words

Spanish translation here

Yukio Mishima was one of the giants of 20th-century Japanese literature. He has exercised an enduring influence on the post-World War II European and North American New Right. In commemoration of his birth, I wish to draw your attention to the following works on this website:

By Mishima:

• “A Call to Arms”
• “The Anti-Revolutionary Manifesto”
• Mishima’s last words (Czech translation here)
• “Voices of the Heroic Spirits”

About Mishima:

• Kerry Bolton, “Yukio Mishima” (Portuguese translation here)
• Jonathan Bowden, “Yukio Mishima”
• Mark Dyal and Nick Fiorello, “Overcoming the Bourgeois Mind and Body” (Portuguese translation here)
• Alex Graham, “Beauty and Destruction in Yukio Mishima’s The Temple of the Golden Pavilion”
• Alex Graham, “Yukio Mishima’s The Sailor Who Fell from Grace with the Sea”
• Alex Graham, “Mishima’s Life for Sale”
• Greg Johnson, “The Meaning of Mishima’s Death”
• Greg Johnson, Mishima’s English-Language Videos on YouTube
• Emi Mann Kawaguchi, “Yukio Mishima and Richard Wagner: Art and Politics, or Love and Death”
• Trevor Lynch, Review of Mishima: A Life in Four Chapters (Spanish translation here)
• Christopher Pankhurst, “The Immortal Death of Yukio Mishima”
• Quintilian, “Yukio Mishima’s My Friend Hitler”
• Riki Rei, “In Defense of Mishima”
• Riki Rei, “Naoki Inose’s Persona: A Biography of Yukio Mishima”
• Dominique Venner, “Zen, the Samurai Ethos, and Death”
• Romano Vulpitta, “Yukio Mishima, Yojuro Yasuda, and Fascism,” Part 1, Part 2 (Czech translation: Part 1, Part 2; Greek translation here)

Making substantial reference to Mishima:

• Buttercup Dew, “Hungry for Substance”
• Trevor Lynch reviews The Sailor Who Fell From Grace With the Sea
• Counter-Currents Radio Podcast no. 266, “Pulp Fiction”

Recently, an English-subtitled film called Mishima: The Last Debate was screened at the Busan International Film Festival. It is a documentary composed of archival footage, previously thought lost, of the famous debate between Mishima and members of the Left-wing student group Zenkyoto. It appears that the film is still unavailable for streaming in English, nor are any theatrical releases planned. If you know of any way to watch this film, please comment below.

I also recommend watching Paul Schrader’s beautiful and moving dramatic portrait Mishima: A Life in Four Chapters, now available in a stunning new edition from the Criterion Collection.

Many English translations of Mishima’s writings are available, but not all of his books are worth reading. I recommend beginning with The Sound of Waves, his most naive, charming, and popular novel. Those drawn to his studies of nihilism should read The Sailor Who Fell From Grace with the Sea and The Temple of the Golden Pavilion (the latter is partly dramatized in Schrader’s Mishima). The best collection of Mishima’s stage works is My Friend Hitler and Other Plays. (My Friend Hitler is about the Röhm purge.) Mishima’s most important autobiographical work is Confessions of a Mask. (Sun and Steel also falls in this category, but should be read after Confessions.) Mishima’s philosophy of life and death is found in his Way of the Samurai, a commentary on the Hagakure.

Starting in the late 1950s, Mishima also dabbled in acting and directing. In 1966, he directed and starred in a 30-minute film adaptation of his short story “Patriotism,” about the ritual suicide of a military officer after a failed coup. (Also a theme of Mishima’s 1969 novel Runaway Horses.) After Mishima’s death, the film of Patriotism was withdrawn by his widow, but after she died, it was released on DVD by the Criterion Collection.

Mishima’s charismatic performance as a swaggering tough guy in Masumura Yasuzo’s entertaining 1960 gangster movie Afraid to Die is available on DVD. He also appears as a human statue in Black Lizard, a movie so weird and wonderful that it is worth seeking out on VHS. (It highly deserves a DVD release.) Black Lizard is based on a play by Mishima, but I was unable to determine how faithfully it follows the original.

There is very little good secondary literature on Mishima. I can recommend Henry Scott Stokes’ biography The Life and Death of Yukio Mishima, Marguerite Yourcenar’s Mishima: A Vision of the Void, and Roy Starrs’ Deadly Dialectics: Sex, Violence, and Nihilism in the World of Yukio Mishima. Yourcenar and Starrs deal with Mishima in relation to philosophy and religion, and although the theses and arguments of both authors strike me as confused, they still manage to ferret out a lot of interesting information.

In 2013, Naoki Inose’s massive Persona: A Biography of Yukio Mishima appeared in English. This exhaustively researched volume will probably stand for a long time as the definitive work on Mishima. It contains too much information for the casual reader, but for Mishima fans like me, it is essential reading, filled with detailed and tantalizing accounts of Mishima’s many untranslated writings, fiction, and non-fiction, including his many political statements. For the first time, it is possible for people who do not speak Japanese to gain a clear and detailed picture of Mishima’s politics.