1,944 words
You’d rather see me in the pen
Than me and Lorenzo rollin’ in a Benz-o
Beat a police out of shape
And when I’m finished, bring the yellow tape
To tape off the scene of the slaughter
Still getting swole off bread and water
I don’t know if they fags or what
Search a nigga down, and grabbing his nuts
And on the other hand, without a gun, they can’t get none.
— N. W. A., “Fuck tha Police.”
Hands up, don’t shoot: Who here has listened to gangsta rap? Who here has felt energized by gangsta rap? Who here is a little bit nostalgic for the 90s, N.W.A., Geto Boys, Biggie Smalls, and other luminaries of Negro criminality? Who else considers poseurs like Slim Shady and Kanye to be spiritually inferior to all those niggas of yore, despite producing technically superior and even (gasp) original music? Check your skin color. Are you white? Are you less white for liking these tunes, savage and low-quality though they may be? I grew up with a dislike of rap. Only in my 20s did I realize that I didn’t hate rap as much as I hated Kanye and Eminem. Those violent-ass ghetto niggas from the early 90s were, on the other hand, dope.
The reason why millions of young white men emulate these violent criminals, pimps, and dope peddlers who set some naughty words to sampled (stolen) beats is because gangsta rap is the only warrior music out there, outside some of the blacker NSBM. Your typical rap is a conqueror’s badass boast about sovereignty and power. Sovereignty from the white man and his police, sovereignty over other niggas armed with Uzis and AKs who are his posse, immense power to injure the white man, including the po-pos, rising in part from the loyalty of the aforementioned posse of niggas with uzis and AKs, a vast cornucopia of material goods, including but not limited to lowriders, bling, dope, and dead presidents, which power and wealth, in turn, attract oodles of bitches and hoes, who can then be turned towards the accruement of ever more power and wealth through the mystical arts of pimpin’ and ballin’. In short, a gangsta rapper describes the life of a man who bows to no one, especially not the hated white man. A gangsta rap is a princely boast of wealth, power, and sexual capital acquired through violent strife. Each rapper dreams himself in his heart King Nigga, all-powerful, obeyed by the niggas in da hood, feared and respected by the pigs, in possession of unlimited narcotics, money, and vehicles which jump up and down, commanding the sexual lust of all the bitches and hoes, and even the white women, which are all his to do with as he sees fit. Even the stereotypical “hands off my man, bitch” clash between LaTrine and ShaDynasty is part of the boons of being an inner-city Prince. Few things boost the ego as seeing two women fight over who gets to experience your overwhelming sexual prowess first.
The pimps so glorified by the gangsta rapper embody the spirit of the ultimate alpha, of a lion who doesn’t have to work, who is surrounded by women, who work for him and are his property. A lion does nothing but sleep all day and wait for the lionesses to bring him food and then submit to his sexual will. He will, of course, also kill any competing lions and even the male cubs of the lionesses he conquers. This makes perfect sense from a Darwinian point of view. Monopolizing the sexual marketplace is the ultimate Darwinian success. Don’t believe me? Ask our good friend Genghis Khan. Or any of his millions upon millions of descendants.
Gangsta rap is high-thumos warrior music, extolling those who kill their enemies, break free from the white man’s law, and get paid and laid doing it, winning the loyalty of their fellow Negro. Weihan Zhang on Twitter (sadly banned) was fond of characterizing it as “high criminality sports shoe music” in his endearing pidgin. While a chuckle-worthy example of unbridled East Asian racism (all hail), it betrays a Sino-Mammonist’s reductively materialist view of the world. It’s not about the shoe. It’s about power; the power to steal and kill and get away with it, humiliating the police. Even if you get caught, what are they gonna do? Throw you in prison? Prison is nothing more than an opportunity to “get swole,” and maybe learn some more tricks of the trade from career criminals if you are on the younger end. It’s how a bitch-ass nigga gets transformed into a bad motherfucker.
You can buy Greg Johnson’s Truth, Justice, & a Nice White Country here
Believe it or not, this is the natural way in which Negroes function. Africa is just the ghetto writ large. In fact, I look at African ultraviolence and the only wrong thing I can see about it is the white man’s involvement. We shouldn’t be dumping aid into Africa, nor should white people be in the line of fire. I doubt aid to Africa does anything but jack the stakes up to the sky, because now, not only will you get the loyalty of niggas and a harem of bitches and hoes, but you also get to become a billionaire milking the white man for his guiltbucks.
What, therefore, is to be done with the ghetto? Two schools of thought are socially acceptable in the West. The progressive liberal will have you believe that more money must be poured into the ghetto in order to make those niggers act white. He, or more likely she, will also make some noises about the sexism and homophobia inherent in rap music, preferring such gelded, tame Negroes who respecc whamen, such as Kanye West, or even the much-promoted authentic Detroit wigger Marshall Mathers whose shtick of being a (gasp) white rapper reminds me of Milo Yiannopoulos’ caterwauling about being a gay Jew on the Right. Snoop and Biggie are too saucy for our blue-haired elite. The second school of thought is the cuckservative school of thought, which believes that the Negro was peaceful and productive, uninterested in violence or promiscuity, until that mean ole racist Lyndon B. Johnson invented the Democratic welfare plantation to make those niggers vote Democrat for 200 years. They, of course, are on the side of the vast majority of peaceful Negroes who are the model of sexual probity; they make noises about “the black family,” as if such a thing existed in the white sense of the word, and will support a police crackdown on “the criminals,” as if it were the violent Negro Princes who were the dysfunctional ones.
Here I want to address the usual objection that pre-1960s American blacks were peaceful, productive good boys, who apparently had a Wall Street in Oklahoma City or someplace. Few understand that this regime privileged the white-admixed blacks who effectively ruled over the blacker blacks, the real niggas, with the backing of the white police. With incentives and with a measure of force, the American Negro was made to act white for a period of some years. And then it all fell apart in the 60s because of that mean ole racist LBJ.
This arrangement fell apart because the Darwinian interests of the blacker blacks, of the real niggas, were threatened by the hegemony of the white-admixed blacks. The violent conquest of power, wealth, bitches, and hoes comes naturally to the African. Little wonder that he made an alliance with the Leftist elite in order to defeat the middle, consisting of whites and white-admixed blacks.
And indeed, in a world where labor is rewarded and violence is punished, the white-admixed black has an edge over his purer co-racial, but without segregation, he’s too much of a Negro to effectively compete with the white man. Contrast that to harsh Africa, where labor is punished and violence is rewarded (not always, not even a majority of the cases, it’s a payoff rather than a probability calculation), where his work ethic and impulse control count for nothing. Racially-segregated America is the only environment in which he can survive.
I contend here that the pathological blacks aren’t the violent and shiftless ones. Indeed, what is referred to as black criminality is the normal and healthy behavior of a young Negro who jockeys for status within his community, striving to better emulate the archetype of the Princely Nigga put forth by the gangsta rapper, which emanates from the Dasein of the African soul. Indeed, the pathological Negroes are the white-acting ones, who lose their African authenticity in order to become poor facsimiles of white people, carved in ebony, shunned by their fellow Africans and coddled by their white “friends” tokenism. Black pathology doesn’t look like Ahmaud “Jogger” Arbery, or even this Shaniqua ranting about “Donald Trunk.” It looks like Candance Owens, Clarence Thomas, and Kanye West. Whether grifting off of the white man’s fantasies of a unitary human nature, or being a genuinely gelded house Negro, these men and women are abominations unto Africanness.
White America has been trying and failing to make blacks white for 400 years, and the track record shows 400 years of utter failure. In Hegelian terms, the dialectic between black and white in America is a struggle; on the white side, to defeat the black by turning him white, which is to say, to rob him of African authenticity and turn him into a pallet-swapped white. If the white man is to win in this duel, the black man doesn’t even retain the honor of having fallen in battle, but becomes the slave of the master-slave dialectic. Gangster rap was a refusal and rejection of this dialectic. No, the black man will not act white, and he will, in fact, inflict death and destruction upon the white man and his law. And if it means the death of the black man, then he welcomes it as preferable to being an “Uncle Tom,” the slave who forgave his master.
Gangster rap is the music of people who choose death over dishonor. It is the music of people who are authentically they. The great defeat of American blackness were the sellouts of the late 90s and 2000s, and the de-fanging of rap by such bitch-ass niggas as Yeezy and Slim Shady, or the newest bumper crop of degenerates and pussies spitting out turd after overproduced turd. What’s left is only the criminality and the rejection of the white man’s law.
White America has only three honorable ways forward with regard to the black question. Kill them all, ship them all to Africa, or give them a piece of America to be the black ethnostate, preferably in confederation with Haiti. I’m inclined towards option 2, as the least bad for everyone involved. Letting the African be an African in Africa means no interracial conflict in either America or Africa. Segregation, apartheid, integration, multiculturalism; these are all pipe-dreams and half-measures. Either all blacks or all whites; anything else means forcing the one to live like the other, which is a sure way to have perpetual conflict.
Anything except separation — a clean break between the races — is to continue on the wrong-headed and dishonorable path of trying to turn the black man white, which is just a fancy and roundabout way of enslaving him.
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45 Comments
Yet even this black warrior music (sic) depends on white technology and white businessmen.
(((White))) businessmen
Great Answer
Just testing (as Captain Mainwaring would say).
And the black “warrior” lifestyle depends on guns designed and manufactured by whites.
And “white” lawyers
Well okay, then. Great essay!
There is truth in this essay with regards whites trying to create conservative nice blacks, and indeed down the road there are some hard political choices we face about how the current catastrophe is resolved.
And I’m sure there’s some irony in your piece somewhere, but the essay isn’t funny at all if it were intended to be, and there are obvious issues with it that are endemic of a wider degenerative trend going on within the right.
What we are seeing currently, is a new a kind of disconnected elitist anti-white discourse coming from some individuals in the right itself that could just as easily be coming from some purple haired gender studies professor or Jewish academic. And it’s got really old really fast watching these people act smugly at any reaction they can get from the rest of the right and believing they have ‘discovered’ something really sophisticated.
And honestly this essay reads as just another part of this unfortunate trend. Personally speaking, I’m not supporting or donating to this kind material on the right that’s emerging and I really hope CC can keep this stuff to an absolute minimum.
I’m not an expert in these things as many are here, but it seems to me thumos doesn’t exist alone in isolation, if it did it’s not really thumos anymore.
Thumos goes with other qualities, other energies to make something we would consider a person. I’m not sure a lion killing the cubs sired by another male can really be called ‘thumos’, any more than a dog shitting on the floor is ‘thumos’.
But regardless, trying to make sense of blackness through a white philosophical, historical or linguistic lens is always doomed to failure. And the kinds of people who seem compelled to want to do it, seem to be people who just don’t have much real world experience with blacks. Blacks are a kind of theoretical Other for them to play with intellectually who they have only rarely had to interact with, and blackness itself, even in it’s worst forms, can be dissected safely at a distance in glowing white terms.
It could be said that this particular way of understanding blackness at a distance comes from a lack of thumos, it’s a safe way out, a way of avoiding the actual conflict and oppression white people are in. By awarding negros ‘thumos’ we can avoid having to claim our own.
I would cross out 95% of your essay, and just look at groups of chimpanzees or gorillas and the kinds of display and aggression that can go on there. I would also look at early hominids and try to draw some understanding about their way of life.
That’s the more honest way of approaching this, but it’s the less trendy, more painful, less palatable way. We can’t larp as Jewish Marxist professors at a top university who will be cited in the NYT or WP this way.
And I think you forgot to mention this black ‘thumos’ was being pumped into the brains of white teens by Jews.
The thumos of the negro is not mine to “award” him. What he wants, he takes, often from a slavish and complacent white man who will apologize to him for his racism.
Thumos is the desire to attain power, but not only that, it is generally the emotional drive behind human motivation. It is what burns in the chest. It is what makes us take irrational action which turns out to be quite rational from a darwinian point of view. In the negro, it is expressed in the way here described. The white man, on the other hand, has been de-chested, not even de-fanged. White America, for example, is still armed thanks to the 2nd amendment, but it lacks the will to survive, and the will is more important than the weapons, the chest more important than the fangs.
I agree that trying to understand blackness in white terms is wrong. This is why I look to gangsta rap to learn about blackness rather than stories about heroic black women protecting their hair from evil wypipo, or PragerU videos about how democrats are the real racists. My whole point is that the essence of blackness is so unpalatable to white sensibilities, that we cannot share living space without one or both races losing their authenticity.
Those who believe that “gangsta rap is the only warrior music out there, outside some of the blacker NSBM” haven’t listened to Viking metal or Viking themed death metal.
Bands like Amon Amarth sing, or rather growl, much more about war and conquests than gangsta rappers. Their music is also considerably harder and more masculine than rap.
While the black gangsta rap celebrates the criminal pimp as the ultimate alpha, the white Viking metal celebrates the Viking warrior, as well as traditional values like honour and glory.
One of many examples of this is their song Shield Wall which contains lines such as “Warfare! Honour! Glory! Death!” and “War! Here to conquer! Battle ready! No retreat!”:
https://youtu.be/ojykx7jJv9E
Good points. Jeelvy is usually astute, but he’s way, way off here. Gangsta rap is the ultimate bitch-ass music. It’s the expression of petulant whiners, not warriors, who eschew masculine pride in order to be supported by women (which really means, by the white taxpayer without whom the whole ‘inner city’ would just die out). Basically, these guys have a conception of toughness that is diametrically opposed to the classical one of Spartans or Romans. The latter involved lethal skills, relentlessly honed. Even more, it was built on noble, martial character. The gangsta douche is just an oversized teenage bully with high time preference and no ethics. Men who behaved like that in a Roman legion (or German “barbarian” tribe) would have quickly been isolated, and then flogged, hacked or crucified to death – as well they should be.
The underlying logic of this article points to a group at a specific point in time (the present) and contends that how they are acting now (let’s just say across the past century, or whatever) is how they REALLY are.
There have been sub-Saharan (note: sub-Saharan) African kingdoms. If the natural state of sub-Saharan blacks (the “Dasein of the African soul”) has always been how this author posits these kingdoms, or any inkling of civilization in Sub-saharan Africa, would have been impossible.
I am not saying “we wuz kings.” But “they iz gangstas” is also short sighted considering the grand scheme of things. You can’t point to a specific period of time and say “this is the true nature of these people”. There is no such thing as an unchanging nature.
Europeans won’t stay Faustian forever, and I doubt certain parts of Africa, or the trends prevalent in black American communities will stay forever either. The only nature inherent in them is the nature of change.
‘The only nature inherent in them is the nature of change.’
Hey just so you know blacks never invented the wheel and there is excellent evidence that knowledge of fire was brought back into Africa from backsliders from the group of early proto-humans that left Africa.
Change indeed.
Gangstas = kangz.
“Africans transplanted to Saint-Domingue [Haiti] remain in general indolent and idle, quarrelsome and talkative liars, and are addicted to stealing.” -French visitor to Haiti, 1797 [6].
What changes?
“The inhabitants of the Benin are in general a kind and polite people, of whom one with kindness might get everything he desires. Whatever might be offered to them out of politeness, will always be doubled in return. However, they want their politeness to be returned with likewise courtesy as well, without the appearance of any disappointment or rudeness, and rightly so. To be sure, trying to take anything from them with force or violence, would be as if one tries to reach out to the Moon and will never be left unreckoned. When it comes to trade, they are very strict and will not suffer the slightest infringement of their customs, not even a iota can be changed. Though, when one is willing to accept these customs, they are very easy-going and will cooperate in every way possible to reach an agreement.”
“The king’s court is square and located on the right-hand side of the city, as one enters it through the gate of Gotton. It is about the same size as the city of Haarlem and entirely surrounded by a special wall, comparable to the one which encircles the town. It is divided into many magnificent palaces, houses and apartments of the courtiers, and comprises beautiful and long squares with galleries, about as large as the Exchange at Amsterdam. The buildings are of different sizes however, resting on wooden pillars, from top to bottom lined with copper casts, on which pictures of their war exploits and battles are engraved. All of them are being very well maintained. Most of the buildings within this court are covered with palm leaves, instead of with square planks, and every roof is adorned with a small spired tower, on which casted copper birds are standing, being very artfully sculpted and lifelike with their wings spread.”
https://en.wikipedia.org/wiki/Kingdom_of_Benin#European_contact (from the late 1600s)
I’ll have to differ; the 1960s made things much worse for them. Bad ideology was (and remains) a large part of it, just as it was (and remains) highly detrimental to Whites.
Ultimately, Blacks will have to choose what kind of society they want – one modeled from the best features of ours, which in the best case might provide some measure of order and progress, or one where swaggering dope peddlers and pimps and the like walk tall, until they run the place into the ground like Haiti. Do they want “Gospel world” or “Rap world? The choice is theirs to make on what kind of society to create – in their own country, of course.
Other than that, 100% agreement that Eminem is a poseur.
I really wanted to like NWA and Tupac, but—NO!
But my all time favorite rapper is definitely vanilla ice. Ice ice baby that’s about me! “If there’s a problem yo I’ll solve it”—meaning physics or math problem lol!
Ice Cube made some interesting stuff during his early 90’s Farrakhan phase. It was gangsta but also very identitarian. He was anti-race mixing, woke on Jews, and his gangsta rap were actually cautionary tales. By the end of the song, the narrator is face life in prison with no parole. There was a moral thread running through his music.
Chapeau. As far as I’m concerned, this wonderfully ironic piece is spot on: it grasps the essential traits of most Negroes. On a side note, I’m surprised no one has yet mentioned RAC and hatecore as a White counterpart to the Black’s ‘warrior’ music. For all their ridiculous excesses, I can hardly think of a more aggressive kind of music. That’s why I always listen to stuff like Skrewdriver and Bully Boys at the gym.
Another Skrewdriver fan here! I have one of their singles on vinyl. There’s lots more out there too.
Ok I do a lot of thinking about black culture and how it has poisoned white culture. I haven’t written about that much myself, I guess because I feel that it’s obvious that black culture is poison and nothing to admire or aspire to. I guess I should delve into this more, but I refuse to do it from a perspective that makes it sound strong or masculine.
Rap music didn’t exist (at least not in a polished, marketable form) when Neil Armstrong took that step off the Eagle and imprinted a white American’s footprint on Lunar soil. This singular fact is what colors my beliefs. This height of achievement, through the sheer prowess of intellect, dedication, competition…this is what it means to be a civilized human, to be a white warrior. To work as a team of men to conquer the world and the universe. Yes, with hierarchy respected. But none of this alpha/beta bitches and hoes bullshit that has polluted our current social dynamic.
Rap music has been artificially placed at your dinner table for consumption by the corporate oligarchs who want to destroy you, to reduce you down to the equivalent of emotionally driven women who thing flashy bling and material possessions are what define your masculinity. Hundreds of illegitimate children from scores of female conquests (a-la Genghis Kahn, Ramses II, etc) is what defines being a “real man”, not building a stable family with one, loyal devoted mother. It isn’t skin color that defines the NIGGER, it is behavior such as that. We don’t live in 12 century BC Egypt or medieval Mongolian steppes.
Jeelvy, you are one of my favorite writers for CC, and I get the concept you are shooting for here. But you really need to realize that RAP music is as artificial and contrived as anything else that ZOG forces upon us. It was part of the conditioning that led to where we are today.
I’ve has these discussions with guys in our circle. I know that many younger men, millennials, dove into gangsta rap music for the very reason you mention. But what did this last 2 decades of music dominated by Rap create in white societies? Did it serve to strengthen masculine identity? Hell no. It was part of the cucking process.
When SJWs and feminists talk about how women “internalize” the patriarchy and whiteness of whatnot, they are full of shit in many ways, but yet they use a powerful word when they talk about internalizing things. White men have internalized black male culture because we are somewhat jealous of it. The desire to be absolutely free, undisciplined, gangstas, like Bonnie and Clyde, Al Capone. To live outside the law and make our own rules. That’s a powerful thing. It’s enticing. i wrote an essay several months ago about DB Cooper. I explored the notion of white advocates drawing inspiration from outlaw types. But we don’t need to, imho, draw inspiration from the culture of outsiders, particularly the pop culture bullshit that they sell us in music. A guy like DB Cooper was calculated, intelligent, smooth. He wasn’t a nigger who depended upon primal machismo to get laid and get money.
Again, I want to emphasize that I believe rap culture to be fake and gay, as fake and gay as it gets. Ice Cube? Do you think he spends any of his time around the hood anymore? What about Dr Dre and Snoop Dog? They have private airplanes and have manicurists who come to their homes to give them pedicures. They live as effeminately as any bugman at your local craft beer bar.
No thank you.
I wasn’t being ironic. Our disagreement hinges on our differing definitions of what a man should be and probably speaks to a difference in age. Yearning for a civilizational achievement made possible by the hierarchical cooperation of white men belongs to a bygone era. Nowadays, the hierarchical order is the enemy of white men and to participate in it is to be a chump. Our lawless era resembles the Mongolian steppe far more than some of our guys invested in civilization would like to believe.
I’d suggest you read Eumaios’ new article: https://twitter.com/jinawill12/status/1261019022214266880
Don’t get blinded by the science.
Amen.
The truly masculine guy has what these rappers lack, and indeed, are not even aware they lack (so puerile and pathetic are they): character. Any white man emulating them for any reason is a sign of decline, not just moral decline, but martial decline and racial decline. IOWs, the epitome of a tough white footballer wouldn’t be the great athlete who does an even more exaggerated Afro-dance after a sack or TD than his black teammates, but one who deliberately mocks such behavior, esp if the mocking is done with the associated words “conduct unbecoming for a white man.”
There’s two counter explanations for gangsta rap that I’m aware of. One is the minstrel show theory that whites pay blacks to act out racist stereotypes. The other, more common one, is that the stereotype is based on a reality, but one that’s the result of racist oppression. Both theories insinuate that if there was no history of whites being racist, blacks would essentially be white people with permanent sun tans, and wouldn’t be any more likely to create things like gangsta rap than accountants or diabetics. Both theories are false slanders against white people.
Maybe I missed the point if this was an ironic piece, it seems to genuinely extol the warrior virtues of “gangstas“. I mean like I said. I kinda get it, but at the same time, in my mind, gangsta rap music is the most contrived and subversive kind of music, as with everything that has happened since the 60s, it represents an unraveling of white ideals of masculinity and replaces it with everything that emasculates white men.
Just no
One the interesting things about rap is that after 40 years, no one has been able to “steal” rap from blacks. Not the way that rock, jazz, or blues were “stolen” from them.. Blacks still dominate the genre. People still believe that “authentic” rap is when it’s done by a genuine black guy.
There are successful non-black rappers but blacks still sort of decide which ones are credible. Blacks never accepted Vanilla Ice but they did accept Eminem. The whole movie 8 Mile was about Eminem trying to win the respect of blacks because that will prove he’s a credible rapper. You’re not a credible rapper unless blacks like you.
Which sums up why rap music is cancer. It’s a demonstration of white men submitting themselves to black men for approval. The ultimate cuck-job and Eminem is the ultimate cuck-boy.
I’d rather let the white race die an honorable death than for us to resort to aping negro culture in order to exist.
“Not the way that rock, jazz, or blues were “stolen” from them.. ”
None of these types of music were stolen from blacks. Everybody really needs to stop telling this big lie. American guitar music comes right from country (it’s essentially amped up country music) which comes directly from Irish/ Scottish / English folk music.
Africa has no musical tradition and no musical instruments. Like everything else, it is them who stole from us. Even contemporary ebonics are just Southern white phrasings – y’all, fried chicken, fulsome women-this is white southern culture.
Rap – yes, they invented rap and they can keep it. Yapping over a beat – it’s just the African tribal ass-dance. Tom-Tom drums, indeed
My consciousness is up in my head and my heart not in my nuts so no I don’t care about “muh dick” black Niggas But I understand your sentiment.
The evidence really doesn’t bear itself out in support of the biological essentialism argument that you are trying to make. The outcomes and behavior of the black community have gotten progressively worse since the advent of the civil rights act. How do you reconcile the relative lack of violent and gang related behavior prior the civil rights act and the biological essentialism argument that you are making? Also, in what sense is a possible “honorable” solution to the black problem in the U.S to simply kill them? Doesn’t this fly in the face of everything our movement stands for? We want separation, not conflict and violence. The last objection I have to this article is the strange veneration you have what is music produced by Jewish elites in order to further subvert and subjugate the black community alongside accelerating the decline of race relations in the U.S by promoting and exalting black criminality, destroying our inner cities and turning them into slums. Straight Outta Compton was produced by Ruthless Records, the founder of which Jerry Heller is literally (((Them))). Perhaps we shouldn’t get in the habit of cherry picking positive attributes of what is simply social engineering under the guise of “music”.
Africa was ultraviolent long before rap was invented. Africans were murdering each other for wealth and status long before they ever met a Jew. The only time and place where Africans were less violent was America before the 1960s, when they were either enslaved, or placed in the care of white-admixed blacks with the full backing of white America. Segregation existed to protect those white-acting blacks from competition with the white man as well as to protect white people from black violence, which went on even then.
Yes, the African is inherently violent. Yes, he should be allowed to be, but nowhere near us. It’s better to kill him than to try and turn him white, it’s less inhumane. I oppose that, however and support shipping blacks back to Africa.
The violence pre 1960s was more contained within the segregated black community and hence not reported. But it was there. Blacks as a group were more contained within the south, which was more insular in terms of national reportage. After the 1930s with the development of automated harvesters, blacks gradually migrated out of the south into the great northern metropolises. Designer drugs such as heroin and crack allowably may have worsened the criminality in the black community as well.
Interesting points made. It got a little skullmask-y there near the end but that’s ok.
I grew up on, enjoyed and to a certain extent still enjoy rap (not the new mumble variety). For some of the reasons you mentioned. But the main reason I was attracted to it was the free speech aspect.
In the early 90’s we were told we shouldn’t listen to 2 Live Crew, NWA or Geto Boys. I resent being told what I should or should not read, listen to or watch. That’s the main reason I frequent this website. “Freedom of speech is, in it’s most important sense, is to be able to be a bearer of bad news” even if it’s in the form of guns, money, drugs and bitches.
I object to the disrespect shown to the great Marshall Mathers. He was based before it was a thing, especially in regards to the pink mafia. His popularity was also due in large part to latent white identity. He even addressed it the song “White America”. It wasn’t until he became woke after Trump was elected that his popularity started to wane, because of the same latent white identity.
Exactly, of all the rap out there, Eminem is the only one worth even bothering with. And it’s still crap. Absolutely no idea why everyone here is dissing Eminem. I guess a very clever sarky article will be written about Eminem in a year or two if/when he does/says something semi-redpilled and suddenly they’ll all say they were always huge fans and that Eminem was always the “based and redpilled” patrician’s choice.
After all, several articles appeared here about Steven “The Nazis were Left Wing!” “Mexicans have beautiful teeth” “humasexual” Morrissey and all he had to do was hit out with the lukest of warm anti-darkie rhetoric. Which, by the way, he’s been doing since at least 1990.
I hate hipsters.
My only slight disagreement with this on first reading is over the matter of the politics of mulattoes and the civil rights movement. Far from being squeezed out, I think they were one of the important engineers of it, because they actually benefited from its provisions.
You missed the part when he patrols the perimeter and protects the territory and the pride from the hyenas.
Seriously? Industrial and martial music was quite influential in the Hungarian right around 2000-2010. We had Von Thronstahl copycat bands and all.
But it was a bit too gloomy and Germanic for us. We need Hungarian thumos music, and something is developing in that direction. Like this one, based on a Turkish Wars era martial song.
“There’s great damage in our rows, but we’re in high spirits and the mood is gay…” Turn up the volume.
Rap is, much like blacks themselves, eternally insignificant and culturally irrelevant. No matter what the media says.
Something to consider for readers of this post:
“So long as man’s horizon is restricted to this polar world, in which there rages the brutal and unscrupulous struggle for existence between individual human beings and between nations, there is no longer anything to which we can feel ourselves responsible and before which we can experience a sense of guilt. All the old words, such as conscience, guilt, remorse, expiation and forgiveness, are struck out of the dictionary. There remain only two values which are still current coin when all the rest has gone. One of these values is power, which is the sole aim in this world; and the other value is pleasure, which is freely enjoyed by the victor in the struggle for power, who by this victory has secured the place in the sun from which the others are now excluded. Good is what is “useful,” i.e., what helps me to achieve power. Bad is that which weakens me, i.e., that by which my rise to power is impeded. (Karl Heim, Christian Faith and Natural Science, 1949)
Rap music is simply the end point of the West’s moral as well as racial decline.
That’s a very compelling perspective. Thanks.
I always thought of Public Enemy’s ‘Fight the Power’ as the breakaway anthem. In other words, “We been tryin things yo way, no we gonna be who we is.”
And Chuck D sang “Most of my heroes don’t appear on no stamps Sample a look back you look and find Nothing but rednecks for four hundred years if you check.” I thought, really? So I did check. Well there were about a dozen negroes on stamps by 1990, so why didn’t they count? Or must the breakaway movement be based on lies? But hey that’s fine.
Anyway, thanks again.
For those of you who think that all kinds of rap is worthless and culturally irrelevant I can recommend the German nationalist rapper Komplott.
His song “Gestern und Morgen” (Yesterday and Tomorrow) is about the importance of a link between the past and the future of the German nation:
https://youtu.be/8ldPljexbaQ
His “Europa” deals with the current decline of Europe and how it must be resurrected:
https://youtu.be/jJ4P7XJfMWs
At first I was sceptical of Whites who appropriated rap, but it is really useful for conveying a political message. And together with elements from traditional European music the result becomes something completely different from gangsta rap.
I stand embarrassed and corrected!
Thank you so much for those outstanding videos! Although I know no more than about 100 words of German, I could get the gist of them, and found them very inspiring. Granted, I am a cultural elitist, so I will never regard “graphic novels” to be at the same artistic level as real ones; nor will I regard film as an equivalent art to literature; nor will I equate the best rap to real (classical European) music.
But you are correct that whites must deploy every communicative medium to advance our survival and racio-cultural recrudescence, and that this band does so in its way extremely well. I would listen to a white rap band (well, when I was younger, anyway) that made the same kind of music in English. It’s good stuff to work out to. I especially liked the videos themselves. Identitarian whites have a come a long way since I was a racially conscious young guy back in the 70s-80s. We had nothing like this at all.
“Hands up, don’t shoot: Who here has listened to gangsta rap? Who here has felt energized by gangsta rap?”
I listen & am shamelessly energized by it, the more ignorant, violent, niggerish & ooga booga like, the better. It’s humorous & at times clever to me, basically the equivalent of watching Scarface but through audio. An easily accessible over the top dose of violence & testosterone injected into my ears whenever I please.
The few times my friends heard the rap music I like, they said it made them become angry & disturbed, almost as if it induces caveman mental state in them. It doesn’t do that to me, of course, I’ve always been wired differently I suppose. I think it scratches the same part of my brain as watching gangster movies does, it simulates the primitive & violent urges I don’t get to indulge in real life, among other things that I never get to act on.
I spent a lot of my youth in a colorful neighborhood & believe I may have subconsciously absorbed some of their violent culture. On the other hand I’ve always been brimming with more testosterone than I ever knew how to handle, so I may have ended up liking it even if I had grown up in a different environment. I have a twisted & dark sense humor too, with that in mind I guess it’s not really that surprising that ended up enjoying extreme gangsta rap so much.
That’s not to say I don’t like other music, extreme or otherwise, but there’s something about hearing black men refer to themselves as niggers & zoo animals so casually that makes me laugh. When they’re talking about extreme violence, excessive drug use & other dark topics it’s reminiscent of watching horror movies for me. It’s like they combined the modern equivalent of minstrel shows, Friday The 13th & The Goodfellas into one cohesive audio package that I can listen to whenever I get in my car. Driving through grueling traffic & dealing with terrible drivers is much more tolerable when I can laugh at the ridiculous things these negroes say in their songs.
It’s a guilty pleasure & an ironic one at that, since I’ve personally seen many of the unpleasant things they talk about in those songs on a daily basis for years. I suspect that factors into why I like it so much, it’s them at their most brutally honest. In real life they hypocritically deny their true nature as a default, yet in gangsta rap they’re totally unrepentant about behaving like psychotic apes.
Many Whites, in my experience since at least the early 1980s when I entered the Army, remark that the negro is a braggart of the first order and is more style than substance. And this is definitely true. So, how does this square with gangsta rap music and its message of male virility? It doesn’t. The image that negroes project from that type of noise pollution is as fake as a three dollar bill.
There are some truly medieval savage men in all racial group. Although the Orientals are portrayed by the ((( entertainment media ))) as a tit mouse personality, and maybe that is one facet of them, no one has anything on Orientals for savagery. Ask any American/British captured by the Japanese in WW2, any Chinese/Korean who encountered Japs in WW2, any American captured by the N. Koreans in that conflict, any Chicom/N. Korean POW about the S. Korean ROK or the Vietcong about that ROK unit that served a time in Vietnam.
The negro race however is chock full of cowards. Negroes are known world wide for three cowardly behaviors. First, when they target someone for violence, they attack someone noticeably weaker; female, pregnant female, child, elderly, disabled (mental or physical), elderly disabled, just smaller statured. Second, if the negro cannot take down the intended target in a straight up fight the negro will suckerpunch. Negroes are world famous for the suckerpunch. Hell, even the latest riots in cities all this past week with video shown on TV news/internet repeatedly shows negroes suckerpunching. And many times it is someone smaller than they. So, the negro does both the suckerpunch and attack someone somehow weaker. Third, when that is not possible, the negro does their world famous gang attack on a lone individual. This is also on display this past week.
Even videos of NBA fights, which has the world’s largest negroes, show these cowardly behaviors. Suckerpunching galore. Going up into the stands after a fan (usually White) who is much smaller.
The negro is not the billy bad azz Mandingo Warrior in da MF-ing howz. It is just a jew created image much like the negro is by and large a better athlete, or has more soul; both largely untrue. Most negroes are self professed obese; hard to be an athlete like that. And though the negro is more openly demonstrative with (high strung) emotion, they are demonstrably more callous deeper down.