Counter-Currents
  • Private Events
  • T&C
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
  • Webzine
  • Books
  • Podcasts
  • Donate
  • Paywall
  • Crypto
  • Mailing List
  • About
  • Contact
  • RSS
    • Main feed
    • Comments feed
    • Podcast feed

LEVEL2

  • Webzine
  • Books
  • Podcasts
  • Donate
  • Paywall
  • Crypto
  • Mailing List
  • About
  • Contact
  • RSS
    • Main feed
    • Comments feed
    • Podcast feed
  • Private Events
  • T&C
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
Print January 17, 2018 6 comments

Interview with Spencer J. Quinn on White Like You

Spencer J. Quinn

1,867 words

What inspired you to write White Like You?

Failure, basically. As a writer prior to my time at Counter-Currents, I had met with consistent failure. In the 1990s and 2000s I had written several novels, all of which face-planted when I attempted to find a publisher. It was very discouraging. For my last one, I sent out over 130 query letters. Exactly four agents asked to see a sample. Only one wrote me back after that, and was very hesitant to work with me unless I dumb the language down to middle-school level, as she told me. I didn’t have the heart to gut my work, so I gave up. I came to the conclusion that mainstream publishers were just not interested in what I was trying to sell. And that was partially because I was not terribly interested in what I was selling either, given that I am not a mainstream kind of person. All this time, I had been tailoring and censoring my work in order to make it fit with mainstream readers, but my heart was never entirely in it. I figured that if I wanted to continue writing, I would have to find publishers beyond the mainstream who might be more comfortable with the real me.

Why do you think your work failed?

At first, it was because of its poor quality, no doubt. In the mid-1990s I discovered that I loved writing, especially novels, but I still did not know how to edit. Like many young writers, I’m sure, I lacked discipline and humility and the kind of mature perspective that separates beginners from more established writers. My first couple books certainly suffered from this. As I got older, I learned how to edit; and not just edit but ruthlessly edit. I no longer had sentimentality for my own writing. I would take a 200-word passage and hack it down to 125 or 100 and not care about the gems getting excised. I did this so many times I got good at it. I was flabbergasted at how many wasted words can appear in a sentence, as well as how many repeated ideas and unintended meanings. I started to get embarrassed looking back at my older writing. I began studying and internalizing The Elements of Style by Strunk and White, and “Politics and the English Language” by George Orwell (about which I wrote an article for Counter-Currents). It was a lot of work, but I did notice improvement over time. It was around this time when my sense of hubris changed into a sense of real confidence in myself.

Yet my later novels still failed. This is what frustrated me. I knew my work was good, better than the majority of the fiction being published. I certainly worked extremely hard enough. So why was I still failing? I couldn’t chalk it up entirely to having no contacts in publishing. If I was as good as I considered myself to be, then perhaps ten or fifteen percent of agents would have been expressing interest in me, instead of one or two percent. Further, I knew other writers as unknown as I was who were getting far more encouragement from agents. And in my opinion their work wasn’t anything special. So after the failure of my last pre-Counter-Currents novel, I was left searching for answers.

And what answers did you find?

The fundamental misconception under which I had been laboring was that an objectively good novel will be assessed objectively and ultimately published according to its merits. I loved great literature, such as Dostoevsky, Gogol, Trollope, Dickens, Orwell, Camus, Melville, Twain, and others. I calculated that if I produced something as good as that then I would get published too. After all, who doesn’t like a good book? This was tremendously naïve. In reality, what matters most for an unknown writer is to convince agents and publishers that your work already has an audience. If you don’t have an easily discernible audience, then no one in publishing will take a chance on you regardless of how good your work is.

I finally understood that I really didn’t have an audience for my work. Either my novels were too bizarre, too literary, or too personal. Nobody would care about these stories unless they were written by someone who was already famous, someone in whom thousands or millions of people had already invested hours of admiration or fascination. I didn’t have that. I also didn’t have a clear path upon which I could go about and get it. So, basically, I was done. I knew writing literature would be a dead end for me unless I changed my attitude about whom I was serving with my writing.

I asked myself, basically, who is my audience? Who, if reading the real me and not the politically correct chameleon I was trying to be, would accept me and the stories I really wanted to tell?

The answer came right away: the American Renaissance crowd. This was in 2011. Amren was the only Dissident Right website I knew about at that time, and at Amren, especially in the comments sections, I had learned that there were race-realist whites out there who were just like me. Back then I was on the rightward edge of acceptable conservative thought. I was secretly a race-realist but still in thrall with people like the Ace of Spades, Instapundit, and Victor Davis Hanson. I still like those guys a lot, but, by not frankly addressing race realism, I just knew they were missing the cause of most of the problems we face today. Of course, I experienced a sea change in 2012 when National Review fired John Derbyshire not only for saying things that were absolutely true, but for using the blunt racialist language the Left has been employing for decades. It was that and Mitt Romney’s loss to Barack Obama in 2012 that caused me to abandon the conservatives altogether. I was in the middle of writing White Like You at the time, and it only encouraged me and made me realize that such an uninhibited race-realist novel needed to be written.

What was your plan to publish it?

My only plan was to write it and then peddle it to Dissident Right or White Nationalist publishers and hope for the best. This strategy seems just as tenuous to me today as it did in 2011, but really, I had no other options. Publishing such an explosive novel under my own name could easily have wrecked my career and endangered my family. So I forged on, not even knowing if such publishers even existed. After some research I learned that there were some, with Counter-Currents, Arktos, and Castalia House being the most prominent. Right away, however, I noticed that Counter-Currents differed from the others in that it posted essays from numerous writers in addition to publishing books. So my plan for Counter-Currents was introduce myself as an essay writer and then, if things went well, request they take a look at White Like You.

I am extremely gratified to say that that is exactly what happened. In March 2016 I offered Greg Johnson three essays. He liked them, published two of them, and we’ve had a productive working relationship ever since. And for the first time in my life I felt my literary career was under my control. I knew that if I wrote my ass off, like Pete Rose cranking out base hits and hustling all over the ball field, not only would I impress Greg and increase the odds of getting published, but I would also build up a readership, something I never had before.

I also learned, to my surprise, that I really enjoy writing essays.

Did you have any concerns about the novel when you were writing it?

Yes. For one, I was afraid that its genre and overall plot may seem too familiar. America in its dystopian future pitting Leftists and Muslims against white right-winger types: where have we heard that before? If you describe the general idea to someone in our circles they might simply yawn and say, “Been there, done that.” We already have Harold Covington and Kurt Schlichter, not to mention William Pierce. So what do we need White Like You for? But I was already knee-deep in writing it when I first noticed this danger. It was far too late to start over. In any event, I knew the book had the expanse, the excitement, the wit, and the characters to transcend its genre. The novel also contains a prominent psychometric element that I was sure made it unique, not just for Dissident Right fiction, but for all fiction. At some point you just have to have faith in your convictions and continue on.

Another concern was that I became red-pilled on the Jewish Question while I was still writing White Like You. This led to some interesting revisions in the one chapter which deals with the JQ. Even in the last weeks before going to press I learned something new and needed to revise. Through dialectic I attempt to approach the topic from a completely new or at least interesting angle. It will be up to the readers to decide if I succeeded.

What are your goals for White Like You?

First and foremost, I hope to entertain people on the race-realist Right, regardless of how ‘hard’ or ‘soft’ their positions are. Despite its prominent literary elements, White Like You is a thriller and I gave it all the action and suspense and violence one would expect from a first-rate thriller. I want it so people won’t be able to put it down and will need to smoke a cigarette after finishing it. I want also for people on the Right to feel less lonely after reading White Like You. I want them to know that there is a person who thinks like they do, who feels like they do, and has produced a work of literature that will hopefully give them a greater sense of belonging. Then and only then, if readers wish to delve deeper and contemplate the novel’s themes and characters, they will see that White Like You will give them all that they can handle in that department as well.

And if someone not on the Right reads it and decides to come over to our side—or at least change their perspective on race and identity—then that would be icing on the cake.

Beyond that, I would love it if Victor Davis Hanson were to enjoy it. He would be flattered to know how much of his Carnage and Culture went into it. Same for Kevin MacDonald and his Culture of Critique. Same for John Derbyshire, Jared Taylor, Ann Coulter, Kim du Toit, Markus Willinger, and a host of other writers across the spectrum of the Right. I’m sure I ripped off a joke or two from the Ace of Spades somewhere in there as well.

And for my competition, namely Harold Covington, Kurt Schlichter, and others, I hope White Like You makes them just a little bit uncomfortable. You’re on notice, guys. This is how you do dystopian, right-wing fiction. Our readers deserve only the best.

Related

  • Just Like a Woman

  • Deconstructing Dugin:
    An Interview with Charles Upton, Part 1

  • “I Write About Communist Space Goths”:
    An Interview with Beau Albrecht

  • 2000 Mules
    The Smoking Gun of 2020 Election Fraud?

  • What is a Woman?

  • Civic Nationalism’s Last Gasp:
    F. H. Buckley’s American Secession

  • An Interview with Spencer J. Quinn

  • On Racial Humor

Tags

interviewsSpencer J. QuinnSpencer Quinn

Previous

« Masterpieces of Aryan Thought 2
Richard Wagner’s “Judaism in Music”

6 comments

  1. Catherine Crouse says:
    January 17, 2018 at 7:26 pm

    Lionel Asbo! Oh I loved that book and it is a story. It is one book……there are no books. There is nothing…..

  2. Jud Jackson says:
    January 18, 2018 at 3:42 am

    Mr. Quinn,

    I enjoy your writing very much. One author you did not mention is Tom Wolfe (not Thomas Wolf who wrote “Look Homeward Angel”). “The Right Stuff”, “The Bonfire of the Vanities”, “A Man in Full” and “Back to Blood” are some of my favorite books of all time.

    I believe, but am not absolutely sure, that Steve Sailer once wrote that Tom Wolfe is the greatest American writer since Mark Twain. I agree with Steve Sailer. What is your opinion of Tom Wolfe?

    1. Spencer Quinn says:
      January 19, 2018 at 5:36 am

      Hi Jud,
      No opinion of Mr. Wolfe since I have not read him. However, I will rectify that this year. Thank you.

      1. Jud Jackson says:
        January 19, 2018 at 7:40 am

        You are in for a treat!! “The Right Stuff” is non-fiction and concerns the American Space program from Chuck Yeager breaking the sound barrier in 1947 through the Mercury Program with John Glenn being the highlight. This is one rare case where the movie is actually better than the book. So watch the 1983 movie also. The other 3 are novels. I think the best 2 are “The Bonfire of the Vanities” and “A Man in Full”. They made a movie out of the former starring Tom Hanks but the movie stinks. Don’t waste your time watching it.

  3. Proofreader says:
    January 18, 2018 at 8:41 am

    A question for Spencer Quinn: do you know of Emory Burke’s novel, The Unlifted Curse (Eclectic, AL: American Nationalist, 1992)? I haven’t read it myself, but apparently it’s set in the Reconstruction period and copies might still be available from NS Publications.

    1. Spencer Quinn says:
      January 19, 2018 at 5:34 am

      I know about it now! Thanks for the recommendation.

Comments are closed.

If you have Paywall access,
simply login first to see your comment auto-approved.

Note on comments privacy & moderation

Your email is never published nor shared.

Comments are moderated. If you don't see your comment, please be patient. If approved, it will appear here soon. Do not post your comment a second time.

  • Recent posts

    • Irreplaceable Communities

      Alain de Benoist

      2

    • Why the Concept of the Cathedral is Nonsense

      Nicholas R. Jeelvy

      2

    • Brokeback Mountain

      Beau Albrecht

      3

    • O Manifesto Nacionalista Branco:
      Parte 10, O que Há de Errado com a Diversidade?

      Greg Johnson

    • Greg Johnson & Millennial Woes on Common Mistakes in English

      Counter-Currents Radio

      3

    • What Law Enforcement and First Responders Need to Know about White Nationalism

      Beau Albrecht

      5

    • Just Like a Woman

      Spencer J. Quinn

      1

    • The Black Johnny Depp

      Jim Goad

      22

    • Special Surprise Livestream
      Greg Johnson & Millennial Woes on Common Mistakes in English

      Greg Johnson

    • From “Equal Opportunity” to “Friend/Enemy”

      Stephen Paul Foster

      9

    • Deconstructing Dugin:
      An Interview with Charles Upton, Part 2

      Fróði Midjord

      1

    • Deconstructing Our Own Religion to Own the Libs

      Aquilonius

      16

    • O Manifesto Nacionalista Branco:
      Parte 9, Supremacismo

      Greg Johnson

    • Deconstructing Dugin:
      An Interview with Charles Upton, Part 1

      Fróði Midjord

      5

    • White Advocacy & Class Warfare

      Thomas Steuben

      9

    • The Tragedy of the Faux Boys

      Morris van de Camp

      34

    • Counter-Currents Radio Podcast No. 456
      A Special Juneteenth Episode of The Writers’ Bloc with Jim Goad

      Counter-Currents Radio

      2

    • The Worst Week Yet:
      June 12-18, 2022

      Jim Goad

      20

    • Booking Problems at Hotel Rwanda

      Mark Gullick

      7

    • What White Nationalists Should Know About Bitcoin

      Karl Thorburn

      19

    • “I Write About Communist Space Goths”:
      An Interview with Beau Albrecht

      Ondrej Mann

      6

    • This Weekend’s Livestreams
      Jim Goad Celebrates Juneteenth on The Writers’ Bloc

      Greg Johnson

      1

    • 2000 Mules
      The Smoking Gun of 2020 Election Fraud?

      Spencer J. Quinn

      39

    • Podcast with Robert Wallace & Gregory Hood
      Time for White Identity Politics

      Counter-Currents Radio

      11

    • Christianity is a Vast Reservoir of Potential White Allies

      Joshua Lawrence

      40

    • O Manifesto Nacionalista Branco:
      Parte 8, Raça Branca

      Greg Johnson

    • 2000 Fat Mules Laughing at Dinesh D’Souza

      Jim Goad

      60

    • Christopher Pankhurst’s Numinous Machines

      Anthony Bavaria

      3

    • When Florida Was French

      Morris van de Camp

      2

    • Counter-Currents Radio Podcast No. 455
      The Counter-Currents 12th Birthday Celebration, Part 2

      Counter-Currents Radio

    • White Fragility & Joseph Conrad’s The Nigger of the “Narcissus”

      Raymond E. Midge

      7

    • Our Prophet:
      Christopher Lasch’s The Revolt of the Elites, Part 2

      Greg Johnson

      3

    • Hockey Playoff Losses, Violent Carjackings, & Race in Toronto

      Gunnar Alfredsson

      3

    • Counter-Currents Radio Podcast No. 454
      Muhammad Aryan on The Writers’ Bloc

      Counter-Currents Radio

      2

    • Counter-Currents Radio Podcast No. 453
      The Counter-Currents 12th Birthday Celebration, Part 1

      Counter-Currents Radio

      3

    • Patrick Bateman is a Tranny

      Nicholas R. Jeelvy

      12

    • Our Prophet:
      Christopher Lasch’s The Revolt of the Elites, Part 1

      Greg Johnson

      13

    • The New Dissident Zeitgeist

      Aquilonius

      4

    • The Worst Week Yet:
      June 5-11, 2022

      Jim Goad

      20

    • How Belarus Uses Migrants as Weapons

      James A.

      29

    • Look What You Made Me Do:
      Dead Man’s Shoes

      Mark Gullick

      4

    • Remembering William Butler Yeats:
      June 13, 1865–January 28, 1939

      Greg Johnson

      5

    • Fundraiser Update
      Happy Birthday to Us!

      Greg Johnson

      2

    • This Weekend’s Livestreams
      Our Twelfth Anniversary Party on Counter-Currents Radio & Muhammad Aryan on The Writers’ Bloc

      Greg Johnson

      8

    • What is a Woman?

      Spencer J. Quinn

      58

    • Rome’s Le Ceneri di Heliodoro

      Ondrej Mann

      8

    • O Manifesto Nacionalista Branco:
      Parte 7, O Etnoestado

      Greg Johnson

    • Příčina a následek aneb uzavření muslimské mysli

      Mark Gullick

    • The Bakony

      Béla Hamvas

      3

    • Another Black Eye on South Street

      Jim Goad

      34

  • Recent comments

    • Riki-Eiki From “Equal Opportunity” to “Friend/Enemy” A greatly revealing and exhortative article that clarifies a clear-cut demarcation line between “...
    • Francis XB What Law Enforcement and First Responders Need to Know about White Nationalism If you are in law enforcement...   20 years ago you were the heroes. Your immediate...
    • Vauquelin Why the Concept of the Cathedral is Nonsense Much has been said about the American New Right and what it supposedly needs to gain or lose to be...
    • Hamburger Today Anti-Semitic Zionism Great essay, Nick. You have arrived at that sublime state where ‘the Jewish Question’ reaches it’s...
    • Antipodean The Black Johnny Depp Thanks. That is a great introduction, for people early on their journey, to Prof. MacDonald and...
    • Saturn The Black Johnny Depp The gentleman you are referring to in the DS article is one Tommy Sotomoyor. Dude is a legend.
    • RecoveringLiberal The Tragedy of the Faux Boys Interesting article, but frankly your claim "Homosexuals can't reproduce, therefore they recruit...
    • Scott Brokeback Mountain >> Gay cowboys just isn’t plausible to me. << Having been raised and lived most of my...
    • jack mackeral The Black Johnny Depp tommy sotomayer is the "rabbi/ribeeye" guy.
    • Antipodean Brokeback Mountain Loved the review and in what seems like another life I remember enjoying the movie. It was...
    • Vehmgericht Why the Concept of the Cathedral is Nonsense Rather like anarcho-feminist turned Hollywood screenwriter Laurie Penny (pronouns they/them), Mr...
    • DarkPlato “I Write About Communist Space Goths”:
      An Interview with Beau Albrecht
      Thankee!
    • Beau Albrecht “I Write About Communist Space Goths”:
      An Interview with Beau Albrecht
      Robert S. Griffin's One Sheaf, One Vine - Racially Conscious White Americans Talk About Race (2004)...
    • Bookai Irreplaceable Communities After the bulldozer of liberalism had demolished old communities and atomized the society, it was...
    • Friedrich Christianity is a Vast Reservoir of Potential White Allies The Churches, indeed. I just want to add that casual conversations first drove me towards this...
    • Jud Jackson The Black Johnny Depp Yes, I agree with your choice of Clint and Jon and that they are OK.  I used to think Tom Hanks was...
    • Holmsen The Black Johnny Depp This interview is hilarious. I appreciate JLP's style of questioning his guest, it's very Socratic....
    • Grammarian Greg Johnson & Millennial Woes on Common Mistakes in English This is why Americans are forced to study (but not learn) a second language in middle school, high...
    • Mr. Bones Irreplaceable Communities So much criticism of ‘individualism’ ironically does not distill it as far as it should, especially...
    • Kök Böri Critique as Empire-Killer You do not really believe in the KGB disinformation about the so calles Nuclear Winter, do you? Well...
  • Books

    • Kerry Bolton
    • Jonathan Bowden
    • Buttercup Dew
    • Collin Cleary
    • Jef Costello
    • F. Roger Devlin
    • Julius Evola
    • Gregory Hood
    • Juleigh Howard-Hobson
    • Greg Johnson
    • Jason Jorjani
    • Ward Kendall
    • Anthony M. Ludovici
    • Trevor Lynch
    • H. L. Mencken
    • J. A. Nicholl
    • Andy Nowicki
    • James J. O'Meara
    • Michael O'Meara
    • Christopher Pankhurst
    • Tito Perdue
    • Michael Polignano
    • Spencer J. Quinn
    • Savitri Devi
    • Fenek Solère
    • Irmin Vinson
    • Leo Yankevich
    • Francis Parker Yockey
  • Webzine Authors

    Contemporary authors

    • Howe Abbott-Hiss
    • Beau Albrecht
    • Aquilonius
    • Anthony Bavaria
    • Michael Bell
    • Alain de Benoist
    • Kerry Bolton
    • Jonathan Bowden
    • Buttercup Dew
    • Collin Cleary
    • Giles Corey
    • Jef Costello
    • Morris V. de Camp
    • F. Roger Devlin
    • Bain Dewitt
    • Jack Donovan
    • Ricardo Duchesne
    • Émile Durand
    • Guillaume Durocher
    • Mark Dyal
    • Guillaume Faye
    • Stephen Paul Foster
    • Fullmoon Ancestry
    • Jim Goad
    • Tom Goodrich
    • Alex Graham
    • Mark Gullick
    • Andrew Hamilton
    • Robert Hampton
    • Huntley Haverstock
    • Derek Hawthorne
    • Gregory Hood
    • Juleigh Howard-Hobson
    • Richard Houck
    • Alexander Jacob
    • Nicholas R. Jeelvy
    • Greg Johnson
    • Ruuben Kaalep
    • Tobias Langdon
    • Julian Langness
    • Travis LeBlanc
    • Patrick Le Brun
    • Trevor Lynch
    • Kevin MacDonald
    • G. A. Malvicini
    • John Michael McCloughlin
    • Margot Metroland
    • Millennial Woes
    • John Morgan
    • James J. O'Meara
    • Michael O'Meara
    • Christopher Pankhurst
    • Michael Polignano
    • J. J. Przybylski
    • Spencer J. Quinn
    • Quintilian
    • Edouard Rix
    • C. B. Robertson
    • C. F. Robinson
    • Hervé Ryssen
    • Kathryn S.
    • Alan Smithee
    • Fenek Solère
    • Ann Sterzinger
    • Thomas Steuben
    • Robert Steuckers
    • Tomislav Sunić
    • Donald Thoresen
    • Marian Van Court
    • Dominique Venner
    • Irmin Vinson
    • Michael Walker
    • Aylmer Wedgwood
    • Scott Weisswald
    • Leo Yankevich

    Classic Authors

    • Maurice Bardèche
    • Julius Evola
    • Ernst Jünger
    • D. H. Lawrence
    • Charles Lindbergh
    • Jack London
    • H. P. Lovecraft
    • Anthony M. Ludovici
    • Sir Oswald Mosley
    • National Vanguard
    • Friedrich Nietzsche
    • Revilo Oliver
    • William Pierce
    • Ezra Pound
    • Saint-Loup
    • Savitri Devi
    • Carl Schmitt
    • Miguel Serrano
    • Oswald Spengler
    • P. R. Stephensen
    • Jean Thiriart
    • John Tyndall
    • Francis Parker Yockey
  • Departments

    • Book Reviews
    • Movie Reviews
    • TV Reviews
    • Music Reviews
    • Art Criticism
    • Graphic Novels & Comics
    • Video Game Reviews
    • Fiction
    • Poems
    • Interviews
    • Videos
    • English Translations
    • Other Languages
      • Arabic
      • Bulgarian
      • Croatian
      • Czech
      • Danish
      • Dutch
      • Estonian
      • Finnish
      • French
      • German
      • Greek
      • Hungarian
      • Italian
      • Lithuanian
      • Norwegian
      • Polish
      • Portuguese
      • Romanian
      • Russian
      • Slovak
      • Spanish
      • Swedish
      • Ukrainian
    • Commemorations
    • Why We Write
  • Archives
  • Top 100 Commenters
Sponsored Links
Pagan Futures Alaska Chaga Antelope Hill Publishing Imperium Press American Renaissance A Dissident’s Guide to Blacks and Africa The Patrick Ryan Show Jim Goad The Occidental Observer
Editor-in-Chief
Greg Johnson
Books for sale
  • Trevor Lynch’s Classics of Right-Wing Cinema
  • The Enemy of Europe
  • Imperium
  • Reactionary Modernism
  • Manifesto del Nazionalismo Bianco
  • O Manifesto Nacionalista Branco
  • Vade Mecum
  • Whiteness: The Original Sin
  • Space Vixen Trek Episode 17: Tomorrow the Stars
  • The Year America Died
  • Passing the Buck
  • Mysticism After Modernism
  • Gold in the Furnace
  • Defiance
  • Forever & Ever
  • Wagner’s Ring & the Germanic Tradition
  • Resistance
  • Materials for All Future Historians
  • Love Song of the Australopiths
  • White Identity Politics
  • Here’s the Thing
  • Trevor Lynch: Part Four of the Trilogy
  • Graduate School with Heidegger
  • It’s Okay to Be White
  • The World in Flames
  • The White Nationalist Manifesto
  • From Plato to Postmodernism
  • The Gizmo
  • Return of the Son of Trevor Lynch’s CENSORED Guide to the Movies
  • Toward a New Nationalism
  • The Smut Book
  • The Alternative Right
  • My Nationalist Pony
  • Dark Right: Batman Viewed From the Right
  • The Philatelist
  • Confessions of an Anti-Feminist
  • East and West
  • Though We Be Dead, Yet Our Day Will Come
  • White Like You
  • Numinous Machines
  • Venus and Her Thugs
  • Cynosura
  • North American New Right, vol. 2
  • You Asked For It
  • More Artists of the Right
  • Extremists: Studies in Metapolitics
  • The Homo & the Negro
  • Rising
  • The Importance of James Bond
  • In Defense of Prejudice
  • Confessions of a Reluctant Hater (2nd ed.)
  • The Hypocrisies of Heaven
  • Waking Up from the American Dream
  • Green Nazis in Space!
  • Truth, Justice, and a Nice White Country
  • Heidegger in Chicago
  • End of an Era: Mad Men & the Ordeal of Civility
  • Sexual Utopia in Power
  • What is a Rune? & Other Essays
  • Son of Trevor Lynch’s White Nationalist Guide to the Movies
  • The Lightning & the Sun
  • The Eldritch Evola
  • Western Civilization Bites Back
  • New Right vs. Old Right
  • Journey Late at Night: Poems and Translations
  • The Non-Hindu Indians & Indian Unity
  • I do not belong to the Baader-Meinhof Group
  • Pulp Fascism
  • The Lost Philosopher, Second Expanded Edition
  • Trevor Lynch’s A White Nationalist Guide to the Movies
  • And Time Rolls On
  • Artists of the Right: Resisting Decadence
  • North American New Right, Vol. 1
  • Some Thoughts on Hitler
  • Tikkun Olam and Other Poems
  • Summoning the Gods
  • Taking Our Own Side
  • Reuben
  • The Node
  • The New Austerities
  • Morning Crafts
  • The Passing of a Profit & Other Forgotten Stories
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
Copyright © 2022 Counter-Currents Publishing, Ltd.

Paywall Access





Please enter your email address. You will receive mail with link to set new password.

Edit your comment